Dates: | 1984-2011 |
Size: | 21 linear feet, 3 videocassettes |
Repository: | Chicago Public Library, Harold Washington Library Center, Special Collections, 400 S. State St., Chicago, IL 60605 |
Collection Number: | Archives_ Adam Langer Collection |
Provenance: | The Chicago Public Library acquired the collection in 2011. |
Access: | Materials from this collection must be paged 24 hours in advance. |
Citation: | When quoting material from this collection the preferred citation is: Adam Langer Collection [Box #, Folder #], Special Collections, Chicago Public Library. |
Biographical Note
Adam Langer, a novelist, journalist and playwright, was born on July 23, 1967, at Michael Reese Hospital and grew up on the north side of Chicago in the neighborhood of West Rogers Park. He is the son of Esther Langer, a onetime administrative assistant at Northwestern University, and the late Dr. Seymour S. Langer, a radiologist who worked in private practice, at the University of Illinois at Chicago and at the city’s Metropolitan Tuberculosis Sanitarium. While growing up, Langer attended grade school at Daniel Boone Grammar School and the Baker Demonstration School in Evanston and Hebrew School at the K.I.N.S. Congregation Synagogue on California Avenue. While still living in Chicago, he attended high school at Evanston Township High School, during which time he began his professional career as a writer and performer. As a teenager, he wrote and performed for WBEZ radio shows, such as Audio Jam and Youth News , published freelance journalism in Lerner Newspapers and Pioneer Press , and also served as an intern at Chicago Magazine .
Langer attended college in Poughkeepsie, N.Y., at Vassar College, where he received his bachelor of arts in political science in 1988, while also serving as books editor and later arts editor of The Miscellany News and news director of WVKR-FM. At Vassar, Langer wrote and directed some of his first plays— Almost Twenty , Coming Attractions , What I Need Is a Good Bonk on the Head and The View from the River Styx . During his summers in Chicago, he worked as an intern for the radio stations WBBM News Radio 78 and WXRT-FM, and also as a stand-up comedian, performing mostly in comedy clubs in Chicago’s suburbs. His brief stand-up career was the subject of an essay that won the College Journalism Award from Rolling Stone magazine and also of his first published article in the Chicago Reader . He continued to write for the Chicago Reader , where he wrote features stories and served as a theater critic until 2000.
Following his graduation from Vassar, Langer returned to Chicago, where he lived until 2000, working as a journalist, playwright, filmmaker, actor and theater producer, living in Lakeview and later in Ravenswood. During this time, more than a dozen of his plays were premiered. Langer founded Radio Theater Chicago, co-founded and served as the artistic director of Shattered Globe Theatre, and later as the founding artistic director of Cave 76 Productions. Cave 76, along with Covert Creative Group, produced Langer’s independent film The Blank Page , based on Langer’s play of the same name. His 1999 play The Critics , which played at Chicago Dramatists Workshop, was adapted for film by director Jim Sikora, who premiered the film at the Gene Siskel Film Center in 2010. In 1991, during the run of the first official Shattered Globe production, Langer’s rock ’n’ roll play Backstage Pass , he met his future wife, Beate Sissenich, a native of Germany who was then working as an intern for the Jewish Council on Urban Affairs under the auspices of Action Reconciliation Service for Peace.
The jobs Langer held in Chicago ranged from teaching test prep classes in the Chicago public schools to leading double-decker bus tours to serving as contributing editor for Inside Chicago magazine. In 1993, he became editor of Chicago’s Subnation Magazine , a position he held until the magazine’s demise in 1995. In 1998, he became a co-founding editor of Book Magazine and served as the magazine’s senior editor until it folded in 2003. During this time, he wrote reference books and travel guides, such as The Madness of Art , The Film Festival Guide and The City Smart Guide to Chicago , and also studied English literature at the University of Illinois at Chicago, receiving his master’s degree in 1999.
A 2000-2001 fellowship from the National Arts Journalism Program at Columbia University took Langer to New York, where he studied the influence of corporate funding on the arts. After living in Morningside Heights during his fellowship year, Langer settled in New York’s Manhattan Valley neighborhood and began work on what would become his first published novel, Crossing California . While writing his subsequent novels The Washington Story , Ellington Boulevard and The Thieves of Manhattan , as well as the memoir My Father’s Bonus March , Langer also served as columnist for The Book Standard, a freelance book editor, and published freelance journalism and criticism in such publications as The Boston Globe , Chicago Tribune , The Huffington Post , The Los Angeles Times , The New York Times , The San Francisco Chronicle , The Wall Street Journal and The Washington Post , among others.
From 2003-2011, Langer divided his time between New York and Bloomington, Ind., where his wife, Dr. Sissenich, has worked as an assistant professor of political science. Sissenich and Langer, who married in 2002, have two daughters, Nora Langer Sissenich and Solveig Langer Sissenich, and a dog named Kazoo.
Written by Adam Langer, 2012
Scope and Content
The collection documents Langer’s career as an author, playwright and journalist.
The collection contains drafts of Langer’s published books, showing the evolution of his work on the novels Crossing California , The Washington Story , Ellington Boulevard and The Thieves of Manhattan as well as his memoir about his father, My Father’s Bonus March . The collection also contains research and publicity files on these books. Similar material exists for his unpublished books.
Langer’s work in Chicago’s Off-Loop theater community, including his time at Shattered Globe Theatre, is documented in the boxes about his plays. These boxes have scripts, research notes, promotional material, photographs and reviews.
Files about his film, The Blank Page , have script drafts, items from the film shoot, a press kit and copies of the film. Other screenplays by Langer are also represented in the collection.
The collection has files about Langer’s career as a journalist, especially his work with the Subnation and the Chicago Reader . A nearly full run of Subnation is housed in the collection. Langer’s articles in the Reader are present and are often accompanied by interviews with the subjects of the articles, including David Crosby, Marjorie Stewart Joyner and August Wilson. As a theater critic for the Reader , Langer regularly reviewed Chicago plays. Copies of his reviews are in the collection.
Arrangement
Original provenance has been preserved. The materials are arranged by type:
Published books | Boxes 1-6 |
Unpublished books | Boxes 6, 7 |
Produced plays and screenplays | Boxes 7, 8 |
Articles, clippings, short stories | Boxes 9, 10 |
Unproduced plays and screenplays | Boxes 10-12 |
Magazines, radio scripts | Box 12 |
Theater reviews | Box 12 |
Box and Folder Inventory
Box 1 Published Books | |
1-6 | Crossing California, 1st draft, 2002 |
7 | Crossing California, 2nd draft, 2002 |
8 | Crossing California, draft, 2002 |
9 | Crossing California, 3rd draft, May 2003 |
10-12 | Crossing California, 4th draft, August 8, 2003 |
13 | Crossing California, August 31, 2003 |
14 | Crossing California, draft, 2003 |
15 | Crossing California, draft, 2003 |
16 | Crossing California, first pass pages, 2004 |
Box 2 Published Books | |
1-4 | Crossing California, original “East of California” draft, pages 1-4 missing, ca. 2002 |
5 | Crossing California, public relations, 2004 |
6 | Crossing California, catalogs and promotional materials, 2005 |
7 | Crossing California, excerpt, Chicago Reader , June 4, 2004 |
8 | Crossing California, press, 2004 |
9 | Crossing California, original covers, ca. 2004 |
10 | Crossing California, page 6 designs, ca. 2003 |
11 | Crossing California, German catalog, 2005 |
12 | Crossing California, German press, 2005 |
13 | Crossing California, press kit, 2004 |
14 | Crossing California, book tour schedule, 2004 |
15 | Crossing California, review, Jewish Literary Supplement , Fall 2004 |
16-19 | Crossing California, German translation, 2005 |
20 | Crossing California, German edition, 2005 |
21 | Crossing California, Dutch edition, 2005 |
22 | The Washington Years, version 1, 2004 |
23-27 | The Washington Years, draft 2, 2004 |
Box 3 Published Books | |
1-4 | The Washington Cycle, 2004 |
5-8 | The Washington Cycle, 2004 |
9-11 | The Washington Cycle, version August 21, 2004 |
12-14 | The Washington Story, 2005 |
15-17 | The Washington Cycle, version January 24, 2005 |
18-20 | The Washington Story, version February 28, 2005 |
21 | The Washington Story, preview galley list, 2005 |
22 | The Washington Story, book tour schedule, 2005 |
23 | The Washington Story, press, 2005 |
24 | Die Windige Stadt [The Washington Story] German edition, 2007 |
Box 4 Published Books | |
1-4 | Strangers’ Gate [working title for Ellington Boulevard], draft 1, 2005 |
5-6 | Strangers’ Gate, draft, January 1, 2006 |
7 | Strangers’ Gate, draft, April 7, 2006 |
8-9 | Ellington Boulevard, draft, May 10, 2006 |
10-11 | Ellington Boulevard, draft, n.d. |
12-13 | Ellington Boulevard, draft, January 26, 2007 |
14-15 | Ellington Boulevard, draft, March 19, 2007 |
16 | Ellington Boulevard, cover, ca. 2007 |
17 | Ellington Boulevard, original music [disk], 2007 |
Box 5 Published Books | |
1 | My Father’s Bonus March, research material, December 5, 1931 – June 22, 1932 |
2 | My Father’s Bonus March, research material, June 23, 1932 – July 26, 1932 |
3 | My Father’s Bonus March, research material, July 27, 1932 – August 2, 1932 |
4 | My Father’s Bonus March, research material, August 3, 1932 – August 11, 1932 |
5 | My Father’s Bonus March, research material, August 22, 1932 – September 16, 1932 |
6 | My Father’s Bonus March, research material, September 17, 1932 – November 17, 1932 |
7 | My Father’s Bonus March, research material, November 19, 1932 – May 20, 1933 |
8 | My Father’s Bonus March, research material, May 21, 1933 – March 25, 1935 |
9 | My Father’s Bonus March, research material, April 29, 1935 – November 1949 |
10 | My Father’s Bonus March, research material, ca. 1935 – ca. 1965 |
11 | My Father’s Bonus March, research material, ca. 1932 – ca. 1971 |
12 | My Father’s Bonus March, research material, clippings, ca. 1932 – ca. 1970 |
13 | My Father’s Bonus March, 2008 |
14 | My Father’s Bonus March, version November 20, 2008 |
15 | My Father’s Bonus March, version February 7, 2009 |
16-17 | My Father’s Bonus March, 2009 |
18 | My Father’s Bonus March, Chicago Jewish News , cover story, October 16, 2009 |
Box 6 Published Books, Unpublished Books | |
Published Books | |
1 | The Thieves of Manhattan, screenplay draft, 2008 |
2 | The Thieves of Manhattan, screenplay draft, 2008 |
3-4 | The Thieves of Manhattan, draft, February 16, 2009 |
5-6 | The Thieves of Manhattan, Edit # 1, ca. 2009 |
7-8 | Zero Ninety Eight (or, The Thieves of Manhattan), 2009 |
9-10 | The Thieves of Manhattan, draft, May 22, 2009 |
11-12 | The Thieves of Manhattan, draft, July 30, 2009 |
13-14 | The Thieves of Manhattan, draft, 2010 |
15 | The Thieves of Manhattan, Chinese edition, 2011 |
16 | The Madness of Art , 1996 |
17 | Film Festival Guide , original and revised editions, 1998, 2000 |
18 | Best Men’s Monologues of 2000, featuring monologues from Coaster , [See Box 8, Folders 1 and 2 for script, additional materials from Coaster ], 2000 |
19 | Best Women’s Monologues of 2000, featuring monologues from Coaster, [See Box 8, Folders 1 and 2 for script, additional materials from Coaster ], 2000 |
Unpublished Books | |
20 | Making Tracks, first novel, written in senior year high school, 1984 |
21 | American Soil, 2001 |
22 | The Book Lover, 2008 |
23 | Indie Jones, 2010 |
24-25 | The Evanstonians, draft, 2010. Do not photocopy. |
26-29 | Sequel, 2010 (updated version of The Evanstonians) Do not photocopy. |
30-31 | The Fire Keepers of Albion, draft, 2010. Do not photocopy. |
32-33 | The Fire Keepers of Albion, draft, March 15, 2011. Do not photocopy. |
34 | The Fire Keepers of Albion, draft, September 2011. Do not photocopy. |
Box 7 Unpublished Books, Produced Plays and Screenplays | |
Unpublished Books | |
1 | A Rogue in the Limelight, notebooks I-III, 1992 |
2 | A Rogue in the Limelight, notebooks IV-VI, 1992 |
3 | A Rogue in the Limelight, April 9, 2000 |
4 | The Strange Adventures of Edwin Drood (updated version of Rogue in the Limelight), 2003 |
5 | The Salinger Contract, draft, 2011. Do not photocopy. |
6 | The Salinger Contract, edited draft, 2011. Do not photocopy. |
Produced Plays and Screenplays | |
7 | Almost Twenty , draft, produced at Vassar College, 1986 |
8 | Codes of Conduct (original working title of Backstage Pass) , draft, produced by Shattered Globe Theatre, 1989 |
9 | Backstage Pass , draft, 1990 |
10 | Backstage Pass, notes and songs, ca. 1990 |
11 | Backstage Pass , promotional photos, 1990 |
12 | Backstage Pass , clippings and playbill, 1990, 1991 |
13 | The Blank Page, original script drafts, produced by Theatre of Serviceable Villains at Urbis Orbis Cafe, In The Absence of Words , 1994, Fighting Words , 1995, and The Blank Page , 1995 |
14 | The Blank Page , original draft, ca. 1995 |
15 | The Blank Page , news clippings, promotional photos and related articles, 1995, 1996 |
16 | The Blank Page , press kit, 1995 |
17 | The Blank Page , props, miscellany from film shoot, including original title sketches by Rick Valicenti, ca. 1995 |
18 | The Blank Page, sketches and notes, ca. 1995 |
19 | The Blank Page, film, ca. 1995 |
20 | The Blank Page, screenplay, 1995 |
21 | The Blank Page , 2 videocassettes, preview only, trailer/full screener, 1997 |
22 | The Blank Page , videocassette, 1997 |
Box 8 Produced Plays and Screenplays | |
1 | Coaster, produced at Chicago Dramatists Workshop, press kit, reviews, 2000 |
2 | Coaster, original text, ca. 2000 |
3 | Collateral Damage , monologue performed at Griffin Theater, 1990 |
4 | Coming Attractions , playbill, produced at Vassar College, 1987 |
5 | Crime in the City , original scripts and notes for evening of one-acts produced at Zebra Crossing Theatre, Before the Clearing , The Chain ,1995, Genuine Rookie , 1995 |
6 | Crime in the City, original draft of Genuine Rookie , ca. 1995 |
7 | Crime in the City, clippings, 1997 |
8 | The Critics (screen version of stage play), 1998 |
9 | Dark Matter , produced at O Bar, Chicago, promotional photos and playbill, 1996 |
10 | Film Flam, draft of play produced by Live Bait Theatre, promotional material, reviews, 1997 |
11 | In the Shadow of a Smile, script, promotional materials, produced by Shattered Globe Theatre, 1991 |
12 | Jump Off a Bridge , script, produced by Radio Theatre Chicago, 1989 |
13 | Open Your Eyes , Jorge Melido (radio script), 1989 |
14 | Sketches for Groop, The Broker , Performance Anxiety and Clea , produced at Manhattan Theatre Source’s Pu-Pu Platter by Groop, ca. 2001 |
15 | Solo Album, Volume #1 ,script, playbill, 1997 |
16 | Solo Album , original notebook drafts, ca. 1997 |
17 | Solo Album , photographs, ca. 1997 |
18 | Shattered Globe Theatre, lease, Frozen Assets proof sheet, Count Oederland notes, ca. 1991, 1992 |
19 | Suramo , produced by One Arm Red in Brooklyn, NY, 2002 |
20 | Topsy Turvy , script, program, produced for Victory Gardens’ Readers’ Theatre series, 1991 |
21 | Three Glasses of Sherry , script, promotional design, produced at New York’s Theatre 22, 1997 |
22 | Three Glasses of Sherry , original drafts, ca. 1997 |
23 | Under the Gods, two drafts of play, produced by Maxwell Anderson Playwrights Series, 1991 |
24 | The View from the River Styx , produced at Vassar College, 1988 |
25 | Washed Up on the Shore , script, n.d. |
26 | A Woman’s Intuition, produced in stage reading at Organic Theatre, 1989 |
27 | What I Need Is a Good Bonk on the Head , produced by Shattered Globe Theatre at Sheffield’s School Street Cafe, also review and clippings, 1989 |
28 | What Remains Forgotten , script for a one-act play presented at Calvary Church, New York, NY, plus playbill, 2001 |
Box 9 Articles, Clippings and Short Stories | |
1 | A-1 Entertainment, “Show Business,” Chicago Reader , April 1, 1988 |
2 | Abrahamson, Terry, “Jack of All Trades,” Chicago Reader , plus interview transcript, February 3, 1995 |
3 | “After the Smoking Car,” short story, ca. 1998 |
4 | Alpert, Buzz, “Buzz and his Birds,” Chicago Reader , March 15, 1991 |
5 | American Floral Art School, Chicago Reader , September 6, 1989 |
6 | American Pool Checkers, original transcripts and supporting materials, plus “The Legend of Buster Smith,” Chicago Reader , February 12, 1993 |
7 | “Arming the Tribe,” Chicago Reader , May 2, 1997 |
8 | “Art Works: Dripping with Meaning,” profile of Ilya Kabakov, Chicago Reader , July 16, 1993 |
9 | “At the Trough,” Chicago Reader , October 5, 1990 |
10 | Aufbau , September 2008 |
11 | Ball, Levie, “The Jazz Man in the Tunnel,” plus original text, Chicago Reader , August 5, 1994 |
12 | Bass, Ralph, “He Didn’t Give a Damn If Whites Bought It,” Chicago Reader , May 17, 1991 |
13 | “ Beeeeeeeeeeeeeeeep ,” unpublished short story, ca. 1993 |
14 | “Best of Chicago,” Inside Chicago , January/February 1990, also January/February 1991 [Original magazines are in Oversize Box 1, Folders 1 and 2] |
15 | “Best Unproduced Plays,” New York Press , September 24, 1997 |
16 | “Best Western,” short story (unpublished), n.d. |
17 | “Big Time, Will Show Biz Lawyer Jay B. Ross Ever Get to Hollywood,” Chicago Reader , October 19, 1990 |
18 | Black Metropolis, Chicago Reader , original text, interview transcripts and “Africa in Chicago” proposal by O.H. Michael Smith, April 9, 1993 |
19 | “Black Used Car Salesman,” unpublished article, ca. 1994 |
20 | “Bobby Kagan Knows Everything,” short story published in Chicago Noir , Akashic Books, ca. 2005 |
21 | Boesche, John, “Stage Business,” Chicago Reader , June 26, 1987 |
22 | “Breaking Up Is Hard to Do,” Request Magazine , July 1994 |
23 | “Broadway Limited,” original essay (unpublished), 1988 |
24 | Brown, Maggie, “Club Dates: A Legend Trying to Make a Living,” Chicago Reader , October 8, 1993 |
25 | Browning, Preston, “One Last Lecture,” Chicago Reader , September 11, 1998 |
26 | “Burned,” Chicago Reader , also interview transcripts, April 28, 1995 |
27 | Butler, Jerry, original interview transcript and Chicago Reader , September 21, 1990 |
28 | Calabash Animation, “Film People,” Chicago Reader , September 24, 1989 |
29 | Carpet Auctions, “Bargains,” Chicago Reader , April 28, 1989 |
30 | “Celluloid Anti-Hero ,” profile of Jim Sikora, Chicago Reader , August 9, 1996 |
31 | “Censorship of Books, A Threat to Our Freedom,” Chicago Sun Times , September 14, 1983 |
32 | Chandler, Gene, original text plus Tommy Dark interview transcript, July 26, 1991 |
33 | Chicago Film, research materials and ephemera for feature in Subnation Magazine , promotional material for Joseph Ramirez’s Viridian , John Covert’s Waiting for the Man and Rob Pileckis’s Dear St. Anthony , ca. 1994 |
34 | Chicago Nicknames, “What’s in a Nickname?” Inside Chicago , December 1989 |
35 | Clark Oil, “Raising a Stink,” Chicago Reader , August 1, 1997 |
36 | Coliseum, “Yesterday’s City,” Chicago History , Spring 1994 |
37 | Coliseum II, “Unconventional Spirits,” New City , April 1993 |
38 | “Confessions of a Wooden Horse Doctor,” Chicago Reader , November 7, 1988 |
39 | Corr, Robert, “Love Potion,” Chicago Reader , August 6, 1993 |
40 | “Copy Shop,” Chicago Reader , May 11, 1990 |
41 | Cowan, Eliot, “Dolittle of the Dandelions,” Chicago Reader , May 24, 1996 |
42 | “Creamed,” Chicago Reader , July 28, 1989 |
43 | Crosby, David, unpublished interview with David Crosby, n.d. |
44 | Culver, Sean “His Own Backyard,” Chicago Reader , January 12, 1996 |
45 | “Days of Magic,” Chicago Reader , Q and A with George Johnstone and Jay Marshall , August 7, 1987 |
46 | “Déjà vu Plus Two,” Articles , published by Columbia University’s National Arts Journalism Program, 2002 |
47 | DiGiulio, Paul, “Club Dates,” Chicago Reader , January 13, 1989 |
48 | “Dog Fight,” Chicago Reader , July 7, 1989 |
49 | “Drake Stories,” Stories of the history of the Drake Hotel (unpublished), n.d. |
50 | Edgewater Beach Hotel, “Edgewater Beach Memories,” Chicago Reader , November 10, 1989 |
51 | El Train Rasta Man (typescript), n.d. |
52 | “El Train Troubadour,” unpublished profile of Emilio Nieto, n.d. |
53 | “Enough About Me,” collection of columns published by The Book Standard , 2005 |
54 | “Fight Fight,” Chicago Reader , July 10, 1992 |
55 | “From Brindisi to Korfu,” unpublished article, 1992 |
56 | Flanagan, Michael, “Running Against Rosty,” original interview transcripts and draft, Chicago Reader , October 28, 1994 |
57 | “First Comics,” Evanston Review , 1984 |
58 | Folk Music, unpublished draft of feature on Chicago folk museum, ca. 1989, plus proof sheet by Yael Routenberg of photos taken at the nightclub At The Tracks |
59 | F.R.E.E., unpublished profile of Friends of Refugees from Eastern Europe, Chicago social service agency, ca. 1987 |
60 | “Glory Days,” oral history of Chicago rock music, Chicago Reader , January 13, 1989 |
61 | “Golnick’s Fortune,” short story, Commentary , May, 2009 |
62 | Gumballs, “Department of Collections,” Chicago Reader , ca. 1989 |
63 | “Guts,” Chicago Reader , August 26, 1988 |
64 | “Hair, 1990,” Chicago Reader , March 9, 1990 |
65 | Hampton, Fred Jr., “Radical Without a Case,” Chicago Reader , July 10, 1998 |
66 | “Hard Time,” Chicago Reader , June 2, 1995 |
67 | “Haunted City,” unpublished essay about haunted sites of Chicago, ca. 1989 |
68 | “Hilton Heads,” Chicago Reader , July 3, 1992 |
69 | “Hitcher,” Chicago Reader , June 8, 1990 |
70 | “Hokum from New York,” Chicago Reader , February 9, 1990 |
71 | “Last Days of the House of David,” Chicago Reader , July 1, 1994 |
72 | “How to Start a Theater Company,” about the founding of Shattered Globe Theatre, Chicago Reader , August 30, 1991 |
73 | “I Was A Teenage Stand-Up Comedian,” Miscellany News , February 20, 1987 |
74 | Rolling Stone 1988 College Journalist Award Winners, April 20, 1989 |
75 | “Inside Picks,” Inside Chicago, March 1991 |
76 | Joyner, Marjorie Stewart, “I’m 95 and I Know What I’m Talking About,” Chicago Reader , September 11, 1992 |
77 | “Juggle,” unpublished article about Chicago Jugglers’ spring fling, ca. 1989 |
78 | “Just the Facts,” book review of Michael Harvey’s The Chicago Way , in the Chicago Tribune , August 25, 2007 |
79 | Kankakee River, “The Call of the Kankakee,” Chicago Reader , January 16, 1987 |
80 | “Kid Stuff: Really Cool Experiments with Jim Zdunek,” Chicago Reader , January 26, 1990 |
81 | Kinsey, Donald, “The Apprenticeship of Donald Kinsey,” Chicago Reader , January 22, 1988 |
82 | Kozan, Kathy, “Like Life,” Chicago Reader , October 6, 1989 |
83 | La Tour Restaurant, “Chi Lives: La Tour’s Master of Mayhem,” Chicago Reader , ca. 1989 |
84 | “The Last Night of Calderon,” short story, Chicago Reader , December 8, 2001 |
85 | Lillard, W.L. “W.L. Lillard Means Business,” Chicago Reader , October 4, 1996 |
86 | Limelight Nightclub, “I Almost Got a Drink,” Chicago Reader , August 19, 1988 |
87 | LoHenry, Pat, “Museum Pieces,” Chicago Reader , December 3, 1988 |
88 | “Love Potion Number 9,” unpublished short story, 1989 |
89 | “Man Power,” profile of The Promise Keepers, Chicago Reader , May 30, 1997 |
90 | Marceau, Marcel, “Q and A,” Chicago Reader , March 28, 1997 |
91 | Margie’s Candies, “Sweet Things,” Chicago Reader , August 13, 1987 |
92 | Marshall, Lester, “Show Business,” Chicago Reader , August 20, 1987 |
93 | Martin, Joe, original text for Chicago Reader profile, “1,500 Jokes a Year,” February 7, 1991 |
94 | Mason, Jackie, “Borscht Belt Bomber,” Chicago Reader , December 12, 1997 |
95 | Merian, “Revolution Am Stadtrand,” special Chicago issue, August 1999 |
96 | “My Father’s Menorah,” proof sheets from the short story published in How To Spell Chanukah , Algonquin Books, 2007 |
97 | NAJP [National Arts Journalism Program], “The Art of Arts Reporting,” Chicago Reader , November 26, 1999 |
98 | NAJP, Clip Book, 2000-2001 |
99 | “The Narcissus Room and Other Scenes from a Health Club,” Chicago Reader , September 8, 1995 |
100 | “The Night Diana Died,” unpublished short story, 1997 |
101 | “No Comment: The Search for Intelligent Life at Great America,” Chicago Reader , August 2, 1991 |
102 | Nordine, Ken, “Will Ken Nordine Ever Grow Up?” Chicago Reader , July 13, 1990 |
103 | “Not Exactly a Pagan,” University of Illinois at Chicago master’s thesis, 1999 |
104 | Novy, Stuart, “The Stuart Novy Story,” Chicago Reader , April 13, 1990 |
105 | Nowytski, Slavo, “Ukraine Cowboy,” Chicago Reader , June 2, 1989 |
106 | “On Devon,” Chicago Reader , January 19, 1990 |
107 | “On Stage: The Stories Folk Artists Tell,” Chicago Reader , June 3, 1994 |
108 | One Touch of Nature, “Chi Lives: City Artists, Country Dreams,” Chicago Reader , June 8, 1989 |
109 | Paraskiv, Val, “Theater of Pain,” Chicago Reader ,August 8, 1997 |
110 | Penn and Teller, “You Call This Magic?” Chicago Reader , May 12, 1989 |
111 | “Phantom Tickets ,” Chicago Reader , December 7, 1990 |
112 | “Play Date,” short story co-written with Josh Braff, The Journal News , September 16, 2004 |
113 | “Political Gurus,” Chicago Reader , October 25, 1996 |
114 | “Puss ’n’ Booths,” Chicago Reader , September 16, 1988 |
Box 10 Articles, Clippings and Short Stories, Unproduced Plays and Screenplays | |
Articles, Clippings and Short Stories | |
1 | “Reporting the Arts,” report by the National Arts Journalism Program, 1999 |
2 | Ritz Carlton Dog Groomer, “Chi Lives,” Chicago Reader , December 9, 1988 |
3 | “Room 15,” short story, ca. 1999 |
4 | “Roots: A Report from the Third Annual International Horseradish Festival,” Chicago Reader , May 18, 1990 |
5 | Rush, Richard, “Science and Sculpture,” Chicago Reader , October 26, 1989 |
6 | “Sandwich Story,” Chicago Reader , November 18, 1988 |
7 | Segal, Jeffrey, “Blood Is His Business.” Chicago Reader , May 3, 1989 |
8 | “Self-Serve,” Chicago Reader , August 25, 1989 |
9 | “Soap,” original text, Chicago Reader , June 26, 1992 |
10 | Sokka Gakkai International, “Wooing the Masses,” Streetwise , October 16, 1994 |
11 | “Search for Aspirin: A Night at the Lyric Opera,” Chicago Reader , December 10, 1993 |
12 | Sendak, Maurice, “Dancing with Wolves,” Book Magazine , May/June 1999 |
13 | “The Short, Unhappy Life of Haley Bopp,” Salt Hill , Winter 2003 |
14 | “The Shovelers of Mozart Street,” Chicago Reader , February 5, 2009 |
15 | Silverstein, Jon, unpublished profile of Chicago Republican mayoral candidate, n.d. |
16 | Smejda, Karolus, “The Pay’s the Thing,” Chicago Magazine , June 1989 |
17 | Sobel, Joshua, “On Stage: Joshua Sobel’s Universal Homeless,” Chicago Reader , December 24, 1995 |
18 | “Son of Svengoolie,” Inside Chicago, May/June 1991 |
19 | “Stand Up and Be Funny,” Chicago Reader , October 1986 |
20 | Sun Drugs, “Everything Must Go,” Chicago Reader , January 12, 1990 |
21 | Swain, Julian, “Julian Swain Can Still Move a Little Bit,” Chicago Reader , February 11, 1994 |
22 | “Swastikas,” Chicago Reader , May 19, 1989 |
23 | “Taking Down the Tree,” Chicago Reader , January 23, 1987 |
24 | “Thirst Design,” interview text with Mark Rattin and Rick Valicenti, n.d. |
25 | Thorek, Phil, “My Dad the Doctor,” Chicago Reader , August 16, 1991 |
26 | “Tour Guide,” unpublished story, ca. 1996 |
27 | “The Transaction,” unpublished short story, 1987 |
28 | “Tricky Dick,” Chicago Reader , January 24, 1997 |
29 | USA vs. USSR, “Us vs. Them,” Chicago Reader , January 20, 1989 |
30 | “Welcome to Chicago ,” Chicago Reader , September 23, 1988 |
31 | “What’s Bred in the Bone” and “Mr. Barbecue,” The Miscellany News , February 14, 1986 |
32 | “Where the Wild Things Are,” Chicago Magazine , March 1995 |
33 | Wilson, August, original interview transcript plus “August Wilson Embraces His Heritage,” Chicago Reader , January 20, 1989 |
34 | “The Woman in Red,” Chicago Reader , September 25, 1992 |
35 | Wells, Junior, interview transcript, n.d. |
36 | “Wonderful Town,” report by National Arts Journalism Program, 2001 |
37 | “Wood If He Could,” Chicago Reader , May 15, 1992 |
38 | “Yom Kippur Story,” unpublished vignette, n.d. |
39 | Young Performers,” Chicago Reader , March 10, 1989 |
Unproduced Plays and Screenplays | |
40 | Across the Lines (screenplay), 1996 |
41 | All Things Considered (monologue), 1999 |
42 | All Things Considered (original draft), ca. 1999 |
43 | All Your Raging Glory (screenplay), 1999, 2000 |
44 | As in a Less Civilized Time (stage play), 2000 |
45 | Black Heart (screenplay), 1998 |
46 | Black Humor (stage play), 1990 |
47 | Blue Island (stage play), 1991 |
48 | Both Sides Now (TV pilot), 2011. Do not photocopy. |
49 | California Cool (stage play), 1987 |
50 | Chutes and Ladders (screenplay), 1989 |
51 | Cigarettes and Coffee (incomplete play), 1991 |
52 | Dark Alley (screenplay), 1988 |
53 | The Dark Side of David Moon (stage play), 1992 |
54 | A Double Life (radio script), n.d. |
55 | Dry (stage play), 1994 |
56 | Dry (original handwritten draft), 1994 |
57 | The Elect Few (stage play), 1996 |
58 | The Elect Few (original draft), ca. 1996 |
59 | Elmo in La La Land (stage play), 1990 |
60 | Even in Suburbia (screenplay), 1988 |
61 | Fake ID (screenplay), 1989 |
62 | Find a Better Title (stage play), 1995 |
63 | Flying Too Close to the Sun (stage play), 1991 |
64 | Garden Elegies (abandoned stage play), ca. 1998 |
Box 11 Unproduced Plays and Screenplays | |
1 | The Great In-Between (stage play), 2001 |
2 | I Found You Justin Thyme (screenplay), 1989 |
3 | Inside Down (stage play), 2001 |
4 | Killer Instinct (stage play), 1988 |
5 | Left (unfinished play), 1992 |
6 | Life in the Big City (screenplay), 1985 |
7 | 90 Minutes in the Can (stage play), 1990 |
8 | On a Hard Roll (screenplay), 1987 |
9 | The Parrot Trap (film short), 1990 |
10 | The Pop Factory (stage play), 1995 |
11 | The Pop Factory (original draft), ca. 1995 |
12 | The Pursuit of Happiness (stage play), 1986 |
13 | Railroaded (screenplay), 1993 |
14 | Rank Strangers to Me (unfinished play), 1994 |
15 | A Rope Made of Sand (radio play), 1989 |
16 | Scherzo (stage play), 1992 |
17 | Sell Out (stage play), 1997 |
18 | Sell Out (original draft), ca. 1997 |
19 | Shoah Maki (stage play), 1995 |
20 | Shoah Maki (original draft), ca. 1995 |
21 | Splash Your Skirt with the Rain (one-act play), ca. 1993 |
22 | Some Call It Magic (screenplay), 1988 |
23 | Spank the Monkey (unfinished play), 1992 |
24 | The Take (stage play), 1996 |
25 | Taking the Fall (stage play), 1985 |
26 | The Tin Man (stage play), 1985 |
27 | Toys of Desperation (screenplay), 1989 |
29 | Triora (stage play), 1991 |
30 | The Twilight (screenplay), 1996 |
Box 12 Unproduced Plays and Screenplay, Magazines, Radio Scripts, Chicago Reader, theater reviews | |
Unproduced Plays and Screenplays | |
1 | Unamerican Activities (screenplay), 1990 |
2 | Up to Me (screenplay), 2004 |
3 | Up to Me (revised screenplay), 2006 |
4 | Voices in the Temple (screenplay), 1989 |
5 | Walk Like a Mensch (stage play), 1987 |
6 | Young Americans (screenplay), 1988 |
Magazines, Radio Scripts | |
7 | Rowohlt Magazine , Spring 2005 |
8 | Jewish Book World , Authors Write In, pages 4-6, Winter 2005 |
9 | Rolling Stone , featuring College Journalism Award, p.112, April 20, 1989 |
10 | Chicago’s Subnation Magazine , Issue # 1, 1993 |
11 | Chicago’s Subnation Magazine , Issue # 2, ca. 1993 |
12 | Chicago’s Subnation Magazine , Issue # 4, ca. 1993 |
13 | Chicago’s Subnation Magazine , Issue # 5, ca. 1993 |
14 | Chicago’s Subnation Magazine ,Issue # 6, ca. 1994 |
15 | Chicago’s Subnation Magazine ,Issue # 7, ca. 1994 |
16 | Chicago’s Subnation Magazine ,Issue # 8, ca. 1994 |
17 | Chicago’s Subnation Magazine , Issue # 9, ca. 1994 |
18 | Chicago’s Subnation Magazine , Issue # 10, ca. 1995 |
19 | Chicago’s Subnation Magazine , Issue # 11, ca. 1995 |
20 | Chicago’s Subnation Magazine , Issue # 12, ca. 1995 |
21 | Chicago’s Subnation Magazine ,Issue # 13, ca. 1995 |
22 | Chicago Subnation notes, invitations, news clippings, story ideas, ca. 1993-1995 |
23 | Book Magazine , October/November 1998 |
24 | Book Magazine , May/June 1999 |
25 | Book Magazine , July/August 1999 |
26 | Book Magazine , January/February 2000 |
27 | Pure Magazine , Issue # 3, 1993 |
28 | WXRT Radio News Scripts, 1986 |
Chicago Reader, theater reviews | |
29 | Chicago Reader, theater reviews . Abba-Rama! ; Absent Friends ; Action & True West ; Accelerando ; After Magritte & The American Dream ; After Play & The Removalists ; Ain’t Misbehavin’ ; Alive & Where’s the Cheese ; All Chicks Go to Florida ; All in the Timing ; All the Rage ; The Amen Corner ; The American Boys ; The American Plan ; Among Friends ; Anchorman ; Anna Weiss ; Apt Pupil ; Art & The Berlin Circle ; Aristocrats ; As You Like It ; At Long Last Leo & No Fury ; Atomic Bombers ; Away |
30 | Chicago Reader, theater reviews. Baal ; Boy Basement Battles the Demons of Sleep ; The Ballad of the Sad Cafe ; Bar ; The Baron in the Trees ; The Bay at Nice ; Beast on the Moon ; The Beauty Queen of Leenane ; Beer and Pretzels Theater ; Before I Wake ; Being at Choice ; Belmont Avenue Social Club & The Best Lies We Ever Told ; Below the Belt ; Christmas by Remote Control ; Betrayal & The Dwarfs ; Between East and West ; The Big Funk ; Birthrite ; Black Star Line ; Blade to the Heat ; Bleacher Bums ; The Blob: The Musical & The Wicked and the Sexed ; Bold Girls ; Bingo Long and His Traveling All Stars & Motor Kings ; Born Yesterday & Every Speck of Dust That Falls to Earth Really Does Make the Whole Planet Heavier ; Boy Gets Girl ; The Brat Race ; Brimstone & Treacle ; Broken Glass ; Burn This ; Burning Chrome ; By Accident ; By the Light of the Moon |
31 | Chicago Reader, theater reviews . The Caine Mutiny Court-Martial ; Candida ; Carl’s Closed ; Cat’s Paw ; Celimene and the Cardinal & La Bete ; Chaos Theory & Modern Problems in Science ; Chapman ; Checkmates ; Chelm ; A Circle of People – Four by Chekhov ; Close ; Clowns, Goddesses and Tough Guys ; Cobb ; The Collection & Spoils of War ; The Comedy of Errors & Hamlet! ; Comedians ; Comfort Stew ; Coming Back ; Congratulations for Not Killing Anyone ; The Convention ; The Cut ; Conversations with an Irish Rascal ; The Conversion of Leo Novotny ; Coping with Life & The Gathering ; A Couple of Balls ; The Creation of the World and Other Business ; Crossing Delancey ; The Crucible & Redbaiting, Blacklisting and the American Blonde ; The Custodian ; The Curse of the Pharaohs |
32 | Chicago Reader, theater reviews. Damon, Ring and F. Scott ; Dangerous Corner ; Danny Bouncing ; Danny and the Deep Blue Sea ; Dark Rapture ; Dates without Chicks & Magazines ; David’s Mother ; Ray Davies: 20th Century Man ; The Day Room ; Dealer’s Choice & Never Swim Alone & Maricela de la luz Lights the World ; Death Defying Acts ; The Death of the Last Black Man in the Whole Entire World ; The Deep Blue Sea ; A Delicate Balance ; Destiny and How to Avoid It ; Disco Bob & The Joe Show ; Distant Fires ; Do You Have Any Irish in You? ; Dorothy L – A Dramatic Portrait of Dorothy L. Sayers ; Double Feature ; The Drunken Boat ; Dying Is Private: The Satch and Mo Play and Time & Tide ; Dynamite Fun Nest & ImprovOlympic |
33 | Chicago Reader, theater reviews. Eden ; Eleanor: An American Love Story ; Ends & Race ; An Enemy of the People & Seeking the Genesis ; Eleemosynary ; Equus ; Europe ; Faces of Farce ; Factory Girls ; A Fair Country ; Fashion ; Fast Food Or: In The Belly of the Dragon ; A Fathomless Christmas with Remote & Line ; Fat Men in Skirts & No One Goes Mad ; Feeding the Moonfish ; The Fellowship of the Ring |
34 | Chicago Reader, theater reviews. Female Parts ; Femme Fatale ; First Annual Playwrights’ Party & Kid Dinosaur ; The First ; First Prize and Home Fries ; A Real Live Documentary ; Five on the Black Hand Side ; Flamingo Sketches ; The Flight of the Phoenix ; Food for the Gods & The Mojo and the Sayso ; Fool for Love & Square One ; Found a Peanut ; For the Hell of It ; Frankenstein ; Frankenstein in Love ; Frankly Brendan ; Freefall ; Friday in America ; From the Second City ; The Game ; Garbageman and the Girl Who Lost Her Face ; Gasping ; Gator Bait & Ready for the River ; Gaza Strip Search & Improv Double Feature ; Generation Why ; George ; Gertrude Stein: Each One as She May ; The Glass House ; The God of Isaac ; God’s Man in Texas ; Gone ; Goodbye Stranger ; Goose and TomTom ; God Bless Adrian, Michigan ; Grand View ; Grandma Duck Is Dead ; The Grandma Tree ; Grave Knowledge ; Great African Queens ; The Great Fire ; Greek & Lunch ; Green Air ; Greetings! |
35 | Chicago Reader, theater reviews. H Chord at Midnight ; The Hall of Mirrors ; Hamlet! The Musical & Short Shakespeare ; Hans Brinker ; Hapgood & Dream Ridden...Bed Bound ; Harbor ; Happy End ; Hearts & Times & Slow Dance on the Killing Ground ; Hereafter ; Helmut Zweitag & The Barnstorming 88’s & What Do You Think...; Hitting for the Cycle ; The Hole & Burn This ; The Homecoming ; The Horn ; Hosanna & Queen Christina Goes Roman ; Hospitality Suite ; The House of Yes & Incorruptible ; How Much I Lied ; Hunchback & Sideshow |
36 | Chicago Reader, theater reviews . I Am a Man ; I Am Yours ; I Was There When the Blues Was Red Hot ; Ice Cream Man & Xenogenesis ; Idiot ; In the Radiance of A Thousand Suns ; I’m Not Rappaport ; Imagine Drowning ; Imperceptible Mutabilities in the Third Kingdom ; In the Heart of Winter ; In the Wake of the Welded ; Incident at Vichy ; Incorruptible ; The Irish... and How They Got That Way ; It’s Called the Sugar Plum & Attack of the 50 Ft Woman ; It’s Only a Play ; Ivan’s Revenge & Minnie Pearl Jam & Lois Kaz |
37 | Chicago Reader, theater reviews. Jacques and His Master ; Jest a Second ; Jeeves in the Morning ; Jesse and the Bandit Queen ; The Jewish Melody ; Jitney ; Joe’s Handy Guide to Revolution & Return of the Bitch ; Joy of the Desolate ; Judging Valentino |
38 | Chicago Reader, theater reviews . Kindertransport ; Kingerera Great & Orphans ; Knock Me a Kiss ; Krapp’s Last Tape & White Nights & Not I & Sex, Drugs, Rock & Roll ; L’Affaire de la Queen’s Necklace ; Latino Film Festival ; The Last Survivor ; Laura ; Laverna La Vern ; Les Enfants Teribles ; Les Liaisons Dangereuses ; Let Me Live ; Lie Detector ; Life During Wartime ; Life and Limb ; Life Is Good ; Life Under Water ; Light Up the Sky & The Voice of the Turtle ; This Lime Tree Bower ; Lion in the Streets ; The Lion in Winter ; Lip Service ; Lips Together, Teeth Apart ; The Living Room & Show ; Locked Up Down Shorty’s ; The Loman Family Picnic ; Looking for Love in All the Wrong Places & The Campus Beat ; Losing Father’s Body ; Love and Anger ; The Love Song of Saul Alinsky ; Love’s Labour’s Lost ; The Lynching of Leo Frank |
39 | Chicago Reader, theater reviews. A Midsummer Night’s Dream & Romeo & Juliet & Macbeth ; Macabaret ; Maile Flanagan’s One Woman Sound of Music ; Mange Fe Rekk ; Marat / Sade ; Marked Tree ; Marriage and Children ; McKay’s Bees ; Memento Mori ; The Metamorphosis ; Minutes from the Blue Route ; Mirror of the Invisible World ; Morning Star & Mizlansky/Zilinsky ; Miss Julie ; Monsters II ; Monte La Grosjambe Presents ‘Sex est une Femme’ ; More Fun Than Bowling ; Morphine Johnny |
40 | Chicago Reader, theater reviews . Motherless Stage Whores & Whitewater for Chocolate ; Mrs. Klein ; Murder at the Howard Johnson’s ; The Mustache ; My Children! My Africa! ; The Mystery Cycle |
41 | Chicago Reader, theater reviews . Naked TV ; Never the Same River Twice ; No One Will Be Immune ; A Night of One Acts ; Nine Armenians ; Nixon’s Nixon ; No Place to Be Somebody ; The Odyssey ; Oh – That’s the Second Hand ; The Old Jew ; The Old Man and the Sea ; Old Wicked Songs ; On the Waterfront ; Ondine ; One Day Only ; One Flew Over The Cuckoo’s Nest ; Oo-Bla-Dee ; Orphans ; The Other Half Lives ; Otherwise Engaged ; Oui Be Negroes ; Out of Spite ; The Overcoat |
42 | Chicago Reader, theater reviews. Paddywack ; Painting Churches ; Painting It Red ; Pantomime and Stand Up Tragedy ; Paper Flowers ; The Pawnbroker ; Pen Men ; In Perpetuity Throughout the Universe ; Personal ; The Physicists ; Pleiades Rising ; The Planets ; Police Deaf Near Far ; Polish Movie Springtime ; The Pornographic Man ; The Possessed ; Possible Worlds ; The Price ; Private Eyes ; Private Passage ; Prospect |
43 | Chicago Reader, theater reviews . Rain, River, Ice, Steam ; A Raisin in the Sun & What Use Are Flowers ; Razor Spirits II ; The Razor’s Edge ; A Red Death ; Red Dragon ; The Removalists & After-Play ; Repeat w/ Madeline ; Revelers ; The Revenger ; Richard III ; The Roaring Girl ; Roberto Zucco ; Role Play ; Romanca ; Rosencrantz & Guildenstern Are Dead |
44 | Chicago Reader, theater reviews. Sabotage ; Safe Harbor ; Sand – Three Plays on a Beach ; Save the Last Dance for Me ; Sawdust & Spangles ; Scapin ; Seascape & Sex, Death and Friday Night ; Seven Short Comedies by David Ives ; Sennin ; Sex Lives of Superheroes & Subfertile ; Anne Sexton: Transformations ; Side Man ; Sight Unseen ; Signal to Noise ; Sin ; The Skin of Our Teeth ; The Slaughterwright ; Sleight of Heart ; Slow Dance on the Killing Ground & Hearts & Times ; Small Together ; Snooty ; Someone Who’ll Watch Over Me |
45 | Chicago Reader, theater reviews . Song of Sad Young Men & Blanket Hill ; The Sovereign State of Boogedy Boogedy ; Space ; Speed the Play ; Spike Heels ; Splintered ; Stalag 17 ; Stand Up Hell ; Stars in the Morning Sky ; The State of Mississippi vs. Emmett Till ; Suffering Fools & Still Life with Stein ; A Stone Carver ; Strange Case: Jekyll & Hyde ; The Substance of Fire ; Sex Lives of Superheroes & Subfertile ; Summer Shorts ’96 ; Sunsong ; Supple in Combat ; Sweet Nothing in My Ear |
46 | Chicago Reader, theater reviews. Tartuffe & The Philadelphia Story ; The Temple ; Thank You Jeeves & Tea with Saki ; Thieves ; This Is Our Youth ; Three Days of Rain ; T’Hell with the Ladder ; Thunder Knocking on the Door ; Tiger Tail & No Place to Be Somebody ; The Tightwad, or The Miser ; Time After Time ; To Kill a Mockingbird ; Together, Alone Together ; The Who’s Tommy |
47 | Chicago Reader, theater reviews . Train Is Comin ; Triple Espresso ; The Trojan Women ; The Truth ; Truth in the Telling ; Truth Justice or the American Way & Where’s Your God Now, Charlie Brown ; The 25th Man ; Two Timing ; Two Trains Running ; An Uncertain Hour ; Unclean Thoughts ; Up on the Roof ; Up Against It ; Valparaiso ; The Vanishing Twin ; Via Dolorosa ; Victims of Duty ; Visiting Mr. Green ; A View from the Bridge ; Vivisections from the Blown Mind ; The Voice of the Turtle & Light Up the Sky |
48 | Chicago Reader, theater reviews. Waiting on Godot & Oedipus Goes to Hollywood ; Waiting on Sean Flynn ; The Wall of Water ; The Waltz Invention ; Wasp in a Lampshade ; The Washington Sarajevo Talks ; What About Luv ; When the Going Gets Weird ; Who’s Afraid of Virginia Woolf ; Wilhelm Reich in Hell ; Willie & Esther ; Win, Place or Show ; The Winter’s Tale ; Wipe That Smile ; Wits End ; Wolf at the Door ; Wolf Lullaby ; Wounded Souls ; The Woolgatherer ; Wrong for Each Other ; The WVON Radio Story |
49 | Chicago Reader, theater reviews. Xenogenesis & Ice Cream Man ; Young Playwrights Festival ; Zoot Suit |