| Dates: | 1978-1999 |
| Size: | 2 linear feet, 61 photographs |
| Repository: | Chicago Public Library, Harold Washington Library Center, Special Collections, 400 S. State Street, Chicago, IL 60605 |
| Collection Number: | SPE: Archives_CTC_PP |
| Provenance: | Initial donation by Pegasus Players in 1988. |
| Access: | Researchers, please request this material 24 hours in advance of use. |
| Citation: | When quoting material from this collection the preferred citation is: Pegasus Players Records, [Box #, Folder #], Special Collections, Chicago Public Library |
| Processed by: | Lauren Bufferd, November 1990 |
Historical Note
Pegasus Players is the oldest permanent cultural institution in the Uptown-Edgewater neighborhood, one of the most low-income and culturally diverse communities in Chicago. Began in 1978 under the direction of Arlene Crewdson, Pegasus grew out of a program which highlighted original student writing through faculty and student performances at the Chicago City Colleges. Touring began as a way to bring theater to groups who had no other access to live performance; Pegasus’ first outside booking was at the Cook County Jail in 1978. They were incorporated as a non-Equity theater company in 1979 and moved into a space in the Edgewater Presbyterian Church at 1020 W. Bryn Mawr. This move was contingent on their continuing commitment to the Uptown/Edgewater community.
Between 1979 and 1984, Pegasus grew from a small band of teachers and students to a company of professionals with a five or six play subscription season. In 1984, Pegasus moved into the auditorium at Truman College, tripling the size of their audience. The relationship with Truman was a unique partnership between a not-for-profit theater and a public institution. Despite the move to a larger space, Pegasus’ commitment to social and educational needs did not change. Ticket prices were kept low and an outreach program was formed to offer 20% of the tickets (per performance) free to outside groups who had little or no access to the theater, including mental health patients, recent immigrants, and students. In 1979, Pegasus received a grant from the Department of Aging and Disability enabling the coordination of a long-term program bringing live entertainment to over 40,000 seniors per year.
Pegasus’ goal of providing high quality professional theater has not changed. By 1990 they had won more Jeff Citation Awards than any other non-Equity theater in Chicago. Several of their productions such as Noises Off, The Supporting Cast, and Broadway Bound have been so successful that they have been extended at other theaters. Many of Chicago’s top designers and directors have worked at Pegasus: Jonathan Wilson, Kyle Donnelly, Erin Quigley, and Peter Gottlieb. In addition, the direction and designing team of Victoria Bussert and Russ Borski’s innovative staging of previously under-rated Sondheim musicals such as The Frogs, Anyone Can Whistle, and Merrily We Roll Along have received national attention. Pegasus’ commitment to student writing is also reflected in an annual Young Playwright’s Competition, which culminates in the professional productions of the four winners.
Scope and Content
The Chicago Theater Collection in the Special Collections Department received an initial donation of material from Pegasus Players in 1988. The Collection gives a thorough overview of the theater’s production history, though at present, there are only promotional items; the Collection does not include records from the artistic department that indicate play selection or production issues, nor are there records from the Outreach program.
Arrangement
The records of the Pegasus Players have been arranged into one series: Productions. The Productions series consists of programs, press releases, scripts and other materials relating to individual productions, arranged chronologically by season. Also included in this collection are oversize posters and photographs, which while separated physically from the manuscript material, are noted with their respective productions.
Container List
Productions, General, undated
| Box 1 | Folder 1 | Awards |
| Box 1 | Folder 2 | Clippings |
| Box 1 | Folder 3 | Correspondence |
| Box 1 | Folder 4 | Promotional |
| Box 1 | Folder 5 | ‘Spotlight on Pegasus Players’ |
| Box 1 | Folder 6 | Touring/Outreach: Correspondence - Incoming |
| Box 1 | Folder 7 | Touring/Outreach: Correspondence - Outgoing |
| Box 1 | Folder 8 | Touring/Outreach: Locations served |
| Box 1 | Folder 9 | Touring/Outreach:Programs |
| Box 1 | Folder 10 | Touring/Outreach: Promotional material |
| Box 1 | Folder 11 | Touring/Outreach: Rosters of performers |
| Photo Box 1 | Folders 1-4 | Outreach, 1979 and undated (4 photographs) |
| Photo Box 1 | Folder 5 | Theater interior, Edgewater Presbyterian Church, 1020 W. Bryn Mawr, circa 1970-1983 (1 photograph) |
| Box 1 | Folder 12 | Undated |
| Box 1 | Folder 13 | Kangeroo by Brett Perry, undated – Program |
| Box 1 | Folder 14 | The Lobby by Ruth Reynolds, For Better or Worse by Linda Zack, Uncle George by Ellen Karoll, All Aboard with mrs Brenner by Bridget Howe, undated -- Program |
Productions, 1978-1979 Season
| Box 1 | Folder 15 | In the City by Truman College Students, November-December, 1978, directed by Arlene Crewdson -- Program |
| Box 1 | Folder 16 | The Recital written and directed by Pat Manthei, The Sea Wall by Brandan Gregg, directed by Jim Lessner, An Elgin Christmas by Tom Paar, directed by Arlene Crewdson, Inveighing in Vain by Maribeth Curtis, directed by Joni Gatz, The Reunion written and directed by Nancy Horan. April 4-6, 1979 – Program |
| Box 1 | Folder 17 | Kangeroo by Brett Perry, directed by Marty Horan and Strawberry Ice-Cream by Harriet Horan and Ed Dehnert, directed by Arlene Crewdson, May 11-19, 1979, with sets by Ralph Navarro – Program |
| Box 1 | Folder 18 | The Reunion written and directed by Marty Horan and The Real Inspector Hound by Tom Stoppard, June-July 1979, with sets and lights by Ralph Navarro – Programs |
Productions, 1979-1980 Season
| Box 1 | Folder 19 | Promotional material |
| Box 1 | Folder 20 | Three and Me by Ruth Owens, November-February, 1980 – Flyer |
| Photo Box 1 | Folders 6-8 | Three and Me (3 photographs) |
| Box 1 | Folder 21 | Hedda Gabler by Ibsen, November 23-December 16, 1979 -- Flyer |
| Box 1 | Folder 22 | Six Rooms, Riv Vu by Bob Randall, January-February, 1980. Directed by Jim Lessner -- Program |
| Box 1 | Folder 23 | Bypass by Marty Horan, directed by Jack BenAry, Medium Rare by Tom Paar, directed by Ralph Navarro, and Hello There by Joyce Wacho Wiak, February 29-March 9, 1980 -- Promotional material |
| Box 1 | Folder 24 | Crash Landing by John Macklin, April 10-May 3, 1980. Directed by Alan L. Brown, sets by Chris Broquet, lights by Bernie Schwarz, choreography by Marlene Steinberg -- Program |
| Photo Box 1 | Folder 9 | Crash Landing (1 photograph) |
| Box 1 | Folder 25 | She Stoops to Conquer by Oliver Goldsmith, May 20-June 22, 1980. Directed by Arlene Crewdson, sets and lights by Beverly Sobieski -- Program |
| Box 1 | Folder 26 | She Stoops to Conquer by Oliver Goldsmith, May 20-June 22, 1980 -- Promotional material |
| Box 1 | Folder 27 | The Royal Gambit by Hermann Geissieker, August 7-31, 1980, directed by Molly Cavins, lighting design by Mike White -- Program (partial) |
| Photo Box 1 | Folder 10 | The Royal Gambit (1 photograph) |
| Box 1 | Folder 28 | Spoon River Anthology written by Edgar Lee Masters, September 5-14, 1980. An Actors Workshop production, directed by Angelo Karas -- Clipping |
Productions, 1980-1981 Season
| Box 1 | Folder 29 | General Season -- Promotional material |
| Box 1 | Folder 30 | Heat by William Hauptmann, September 25-October 19, 1980. Directed by Burt Ferrini -- Clipping |
| Box 1 | Folder 31 | The Mad Show by Larry Siegal and Stan Hart, music by Mary Rodgers, November 7-December 7, 1980. Directed by Gail Isaacson -- Promotional material |
| Box 1 | Folder 32 | Getting Married by George Bernard Shaw, January 8-February 1,1981. Directed by Greg Mermel, sets by Dennis Stefancik, costumes by Julie Woosley -- Program |
| Box 1 | Folder 33 | Bluff by Charles Smith, directed by Dr. Edward Homewood, Spark by Charles Ott, directed by Tom Hartman, Dr. Geohegan and the Giant Green Spiders by Carl Adler, directed by Arlene Crewdson, February 12-March 1, 1981 -- Promotional material |
| Box 1 | Folder 34 | Rain by John Cotton and Clemence Randolph, adapted from Somerset Maugham, May 7-June 14, 1981. Directed by James Krulish, sets and lights by Ralph Navarro, costumes by Sharon Grutzmacher -- Program |
| Box 1 | Folder 35 | Rain by John Cotton and Clemence Randolph, adapted from Somerset Maugham, May 7-June 14, 1981 -- Promotional material |
| Photo Box 1 | Folder11 | Rain (1 photograph) |
| Box 1 | Folder 36 | Sherlock by Ruth Owens, July 1981. Directed by Michael Hildebrand – Flyer |
| Photo Box 1 | Folder 12 | Sherlock (1 photograph) |
| Box 1 | Folder 37 | Latino Chicago Series: El Espejo Dificultades and Una Rosa Con Otra Nombre written and directed by Sergio Cardenas, April 1981. Sets and lights by Ralph Navarro -- Programs and clippings |
| Box 1 | Folder 38 | Latino Chicago Series: Mancebo Que Case Con Mujer Brava and La Fabilla de Secreto Bien Guardado by Alejandro Casona, June 1981. Directed by Sergio Cardenas, sets by Casmiro Gonzalez, music by Jose Saldivar -- Program |
| Box 1 | Folder 39 | Latino Chicago Series: Historias Para Ser Contadas by Osvaldo Gragun, September 11-13, 1981, directed by Ramiro Carillo, sets by Galen Ramsey -- Program |
| Box 1 | Folder 40 | Latino Chicago Series: Historias Para Ser Contadas by Osvaldo Gragun, September 11-13, 1981 -- Promotional material |
Productions, 1981-1982 Season
| Box 1 | Folder 41 | General Season -- Promotional material |
| Box 1 | Folder 42 | Blood Wedding by Garcia Lorca, October 1-25, 1981. Directed by Paul Thompson, costumes by Frances Maggio, sets and lights by Barry Johnson -- Program |
| Box 1 | Folder 43 | Tartuffe by Moliere, November 12-December 13, 1981. Directed by Ron Falzone – Flyer |
| Photo Box 1 | Folder 13 | Tartuffe (1 photograph) |
| Box 1 | Folder 44 | The Millionairess by George Bernard Shaw, January 21-28, 1982. Directed by Greg Mermel -- Promotional material |
| Photo Box 1 | Folders 14-16 | The Millionairess (3 photographs) |
| Box 1 | Folder 45 | Long Day’s Journey Into Night by Eugene O’Neill, April 15-May 16, 1982. Directed by Michael Hildrebrand, sets by Karl Kochvar, costumes by Margaret Witkovsky, lights by Bob James -- Program |
| Box 1 | Folder 46 | Long Day’s Journey Into Night by Eugene O’Neill, April 15-May 16, 1982 -- Promotional material. |
| Photo Box 1 | Folder 17 | Long Day’s Journey Into Night (1 photograph) |
| Box 1 | Folder 47 | Hay Fever by Noel Coward, June 4-July 4, 1982. Directed by Molly Cavins, sets by Ralph Navarro, lights by Charles Triniarco, costumes by Constance Thome -- Flyer and program |
| Box 1 | Folder 48 | Hay Fever by Noel Coward, June 4-July 4, 1982 -- Reviews and clippings. See also: PP-AV Hay Fever |
| Box 1 | Folder 49 | A Midsummer Night’s Dream by William Shakespeare, with additional music and lyrics by Steven Mackenroth, Karen L. Erickson, and Christopher Leomans, July 22-August 29, 1982. Directed by Karen L. Erickson, lights by Bill Kaffenberger sets by Karl Kohvar, choreography by Isadora Guggenheim, costumes by Nancy Weldon -- Promotional material and program. |
| Photo Box 1 | Folder 19 | A Midsummer Night’s Dream (1 photograph) |
| Box 1 | Folder 49a | Laos Classical Dance, presented by Pegasus Players, September 14, 1981 -- Program |
Productions, 1982-1983 Season
| Box 1 | Folder 50 | General Season – Promotional material |
| Box 1 | Folder 51 | The Learned Ladies by Moliere, September 16-October 24, 1982. Directed by Ronald Falzone, sets by Ron Greene, lights by Bob James, costumes by Sraa -- Promotional material and programs |
| Box 1 | Folder 52 | The Learned Ladies by Moliere, September 16-October 24, 1982. Directed by Ronald Falzone, sets by Ron Greene, lights by Bob James, costumes by Sraa -- Reviews and clippings |
| Photo Box 1 | Folder 20 | The Learned Ladies (1 photograph) |
| Box 1 | Folder 53 | Zalman or the Madness of God by Elie Wiesel, January 14-February 20 1983. Directed by Linda Balkin-Sherinan, sets and lights by Ron Greene, costumes by Curtis Flowers -- Promotional material and programs |
| Box 1 | Folder 54 | Zalman or the Madness of God by Elie Wiesel, January 14-February 20 1983. Directed by Linda Balkin-Sherinan, sets and lights by Ron Greene, costumes by Curtis Flowers -- Reviews and clippings |
| Photo Box 1 | Folders 21-25 | Zalman or the Madness of God (5 photographs) |
| Box 1 | Folder 55 | The Rivals by Sheridan, March 18-April 24, 1983. Directed by Kenneth Northcott, sets and lights by Ron Greene, Costumes by Russ Borski -- Programs |
| Box 1 | Folder 56 | The Rivals by Sheridan, March 18-April 24, 1983. Directed by Kenneth Northcott, sets and lights by Ron Greene, Costumes by Russ Borski -- Promotional material |
| Box 1 | Folder 57 | The Rivals by Sheridan, March 18-April 24, 1983. Directed by Kenneth Northcott, sets and lights by Ron Greene, Costumes by Russ Borski -- Reviews and clippings |
| Box 1 | Folder 58 | Kennedy’s Children by Robert Patrick, May 18-June 26, 1983. Directed by George Shafer, lights by Robert Bond, sets by Ron Greene, costumes by Anne Jaros -- Promotional material |
| Box 1 | Folder 59 | Kennedy’s Children by Robert Patrick, May 18-June 26, 1983. Directed by George Shafer, lights by Robert Bond, sets by Ron Greene, costumes by Anne Jaros -- Reviews and clippings |
| Box 1 | Folder 60 | Sea Marks by Gardner McKay, Summer 1983. Directed by Jeffrey Lyle Segal, sets and lights by Ron Greene, costumes by Sue Saltmarsh, with Michael Rooker -- Program and promotional material |
Productions, 1983-1984 Season
| Box 1 | Folder 61 | General season -- Promotional |
| Box 1 | Folder 62 | Night of the Iguana by Tennessee Williams, September 23-October 30, 1983. Directed by Robert Ackerman, sets and lights by Thomas M. Ryan, lights by Ellen Gross – Program |
| Box 1 | Folder 63 | Night of the Iguana by Tennessee Williams, September 23-October 30, 1983. Directed by Robert Ackerman, sets and lights by Thomas M. Ryan, lights by Ellen Gross -- Promotional material |
| Photo Box 1 | Folders 26-27 | Night of the Iguana (2 photographs) |
| Box 1 | Folder 63a | The Would Be Gentleman by Moliere, November 18-December 18, 1983 -- Program |
| Box 1 | Folder 64 | The Rainmaker by N. Richard Nash, January 13-February 19 1984. Directed by Kyle Donnelly -- Promotional material, press release and program |
| Box 1 | Folder 65 | The Shadow Box by Michael Cristofer, March 9-April 15, 1984. Directed by Cary Libkin -- Flyer |
| Photo Box 1 | Folder 28 | The Shadow Box (1 photograph) |
| Box 1 | Folder 66 | The Merry Wives of Windsor by William Shakespeare, May 4-June 10, 1984. Directed by Kenneth Northcott -- Promotional material, program |
| Box 1 | Folder 67 | The Merry Wives of Windsor by William Shakespeare, May 4-June 10, 1984. Directed by Kenneth Northcott -- Reviews and clippings |
| Box 1 | Folder 68 | Fallen Angels by Noel Coward, June 29-August 5, 1984. Directed by Robert Ackerman, sets by Thomas Rysn, lights by Steven Espach, Costumes by Kathryn Schimmelpfennig -- Promotional material |
| Box 1 | Folder 69 | Fallen Angels by Noel Coward, June 29-August 5, 1984. Directed by Robert Ackerman, sets by Thomas Rysn, lights by Steven Espach, Costumes by Kathryn Schimmelpfennig -- Reviews and clippings |
| Box 1 | Folder 70 | Touring Company: The Hasty Heart by John Patrick, November 29-December 31, 1983 – Program |
Productions, 1984-1985 Season
| Box 2 | Folder 1 | General season – Promotional material |
| Box 2 | Folder 2 | Bus Stop by William Inge, October 24-November 18, 1984. Directed by Pamela Livingstone, sets by Dan Rowley, lights by Eric Tishman, costumes by Debbie Pekin -- Program |
| Box 2 | Folder 3 | Bus Stop by William Inge, October 24-November 18, 1984. Directed by Pamela Livingstone, sets by Dan Rowley, lights by Eric Tishman, costumes by Debbie Pekin -- Promotional material |
| Box 2 | Folder 4 | Bus Stop by William Inge, October 24-November 18, 1984. Directed by Pamela Livingstone, sets by Dan Rowley, lights by Eric Tishman, costumes by Debbie Pekin -- Reviews and clippings |
| Photo Box 1 | Folder 29 | Bus Stop (1 photograph) |
| Box 2 | Folder 5 | The Royal Family by Edna Ferber and George Kaufman, January 9-February 3 1985. Directed by Tom Roland, sets by Dan Rowley, lights by Howard Stewart, costumes by Kathy Schimmelpfenning -- Program |
| Box 2 | Folder 6 | The Royal Family by Edna Ferber and George Kaufman, January 9-February 3 1985. Directed by Tom Roland, sets by Dan Rowley, lights by Howard Stewart, costumes by Kathy Schimmelpfenning -- Promotional material |
| Box 2 | Folder 7 | The Royal Family by Edna Ferber and George Kaufman, January 9-February 3 1985. Directed by Tom Roland, sets by Dan Rowley, lights by Howard Stewart, costumes by Kathy Schimmelpfenning -- Reviews and clippings |
| Box 2 | Folder 8 | Checkers by Clifton Campbell, February 22-March 31, 1985. Directed by Steve Scott, sets by Robert G. Smith, costumes by Debbie Pekin, lights by Kevin Geiger -- Program and promotional material |
| Box 2 | Folder 9 | Merrily We Roll Along by Stephen Sondheim and George Furth, April 24-May 19, 1985. Directed by Dan La Morte, costumes by Brigid Ann Brown, lights by Lisa Gibson, sets by Thomas Ryan, choreography by Suzanna Samorez -- Program |
| Box 2 | Folder 10 | Merrily We Roll Along by Stephen Sondheim and George Furth, April 24-May 19, 1985. Directed by Dan La Morte, costumes by Brigid Ann Brown, lights by Lisa Gibson, sets by Thomas Ryan, choreography by Suzanna Samorez -- Promotional material |
| Box 2 | Folder 11 | Merrily We Roll Along by Stephen Sondheim and George Furth, April 24-May 19, 1985. Directed by Dan La Morte, costumes by Brigid Ann Brown, lights by Lisa Gibson, sets by Thomas Ryan, choreography by Suzanna Samorez -- Reviews and clippings |
| Box 2 | Folder 12 | Angel Street by Patrick Hamilton, June 12-July 7, 1985. Directed by Kenneth Northcott, sets by Robert G. Smith, costumes by Rik Kristinat, lights by Ellen Jones -- Programs |
| Box 2 | Folder 13 | Angel Street by Patrick Hamilton, June 12-July 7, 1985. Directed by Kenneth Northcott, sets by Robert G. Smith, costumes by Rik Kristinat, lights by Ellen Jones -- Promotional material |
| Photo Box 1 | Folder 30 | Angel Street (1 photograph) |
| Box 2 | Folder 14 | Charley’s Aunt by Brandon Thomas, July 24-August 18. Directed by Floyd May, sets by Thomas Ryan, costumes by Dance DaMata-Geiger, lights by Toni Celner -- Programs |
| Box 2 | Folder 15 | Charley’s Aunt by Brandon Thomas, July 24-August 18. Directed by Floyd May, sets by Thomas Ryan, costumes by Dance DaMata-Geiger, lights by Toni Celner -- Promotional material |
| Box 2 | Folder 16 | Charley’s Aunt by Brandon Thomas, July 24-August 18. Directed by Floyd May, sets by Thomas Ryan, costumes by Dance DaMata-Geiger, lights by Toni Celner -- Reviews and clippings |
Productions, 1985-1986 Season
| Box 2 | Folder 17 | General season – Promotional material |
| Box 2 | Folder 18 | The Devil’s Disciple by George Bernard Shaw, September 11-October 6, 1985. Directed by Richard Lavin, sets and lights by Robert G. Smith, costumes by Carol Miller -- Programs |
| Box 2 | Folder 19 | The Devil’s Disciple by George Bernard Shaw, September 11-October 6, 1985. Directed by Richard Lavin, sets and lights by Robert G. Smith, costumes by Carol Miller -- Promotional material |
| Box 2 | Folder 20 | The Devil’s Disciple by George Bernard Shaw, September 11-October 6, 1985. Directed by Richard Lavin, sets and lights by Robert G. Smith, costumes by Carol Miller -- Reviews and clippings |
| Box 2 | Folder 21 | Alcimero by Lawrence Arancio, October 23-November 17, 1983. Directed by Ed Townley, sets by Robert G. Smith, lights by Ellen Jones, costumes by Lynn Sandberg, music by Margaret James -- Program |
| Box 2 | Folder 22 | Alcimero by Lawrence Arancio, October 23-November 17, 1983. Directed by Ed Townley, sets by Robert G. Smith, lights by Ellen Jones, costumes by Lynn Sandberg, music by Margaret James -- Reviews and clipping |
| Box 2 | Folder 23 | She Loves Me by Joe Masteroff, Jerry Bock, and Sheldon Harnick, February 5-March 2 1986. Directed by Tom Roland, sets by Robert G. Smith, lights by Peter Gottlieb, costumes by Erin Quigley -- Contact sheet |
| Box 2 | Folder 24 | She Loves Me by Joe Masteroff, Jerry Bock, and Sheldon Harnick, February 5-March 2 1986. Directed by Tom Roland, sets by Robert G. Smith, lights by Peter Gottlieb, costumes by Erin Quigley – Correspondence |
| Box 2 | Folder 25 | She Loves Me by Joe Masteroff, Jerry Bock, and Sheldon Harnick, February 5-March 2 1986. Directed by Tom Roland, sets by Robert G. Smith, lights by Peter Gottlieb, costumes by Erin Quigley – Programs |
| Box 2 | Folder 26 | She Loves Me by Joe Masteroff, Jerry Bock, and Sheldon Harnick, February 5-March 2 1986. Directed by Tom Roland, sets by Robert G. Smith, lights by Peter Gottlieb, costumes by Erin Quigley -- Promotional material |
| Box 2 | Folder 27 | She Loves Me by Joe Masteroff, Jerry Bock, and Sheldon Harnick, February 5-March 2 1986. Directed by Tom Roland, sets by Robert G. Smith, lights by Peter Gottlieb, costumes by Erin Quigley -- Reviews and clippings |
| Photo Box 1 | Folder 31 | She Loves Me (1 photograph) |
| Box 2 | Folder 28 | For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf by Ntozake Shange. April 2-May 11, 1986. Directed by Sydney Daniels, sets by Eve Cauley, costumes by Yvonne Fegan, lights by Peter Gottlieb -- Promotional material and program |
| Box 2 | Folder 29 | For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf by Ntozake Shange. April 2-May 11, 1986. Directed by Sydney Daniels, sets by Eve Cauley, costumes by Yvonne Fegan, lights by Peter Gottlieb-- Reviews and clippings |
| Photo Box 1 | Folder 32 | For Colored Girls Who and Considered Suicide/When the Rainbow is Enuf (1 photograph) |
| Box 2 | Folder 30 | For Colored Girls at Crosscurrents, June 13-July 13, 1986. Directed by Charles Finster -- Contact sheet |
| Box 2 | Folder 31 | For Colored Girls at Crosscurrents, June 13-July 13, 1986. Directed by Charles Finster -- Promotional material |
| Box 2 | Folder 32 | For Colored Girls at Crosscurrents, June 13-July 13, 1986. Directed by Charles Finster -- Program |
| Box 2 | Folder 33 | For Colored Girls at Crosscurrents, June 13-July 13, 1986. Directed by Charles Finster -- Reviews and clippings |
| Box 2 | Folder 34 | The Supporting Cast, written and directed by George Furth, June 4-29, 1986. Sets by Robert G. Smith, costumes by Erin Quigley, lights by Peter Gottlieb – Programs |
| Box 2 | Folder 35 | The Supporting Cast, written and directed by George Furth, June 4-29, 1986. Sets by Robert G. Smith, costumes by Erin Quigley, lights by Peter Gottlieb -- Promotional material |
| Box 2 | Folder 36 | The Supporting Cast, written and directed by George Furth, June 4-29, 1986. Sets by Robert G. Smith, costumes by Erin Quigley, lights by Peter Gottlieb -- Reviews and clippings |
| Box 2 | Folder 37 | The Supporting Cast at Drury Lane South, July 16-. Sets and lights by Vernon Schwartz, after the designs of Robert G. Smith and Peter Gottlieb -- Contact sheet |
| Box 2 | Folder 38 | The Supporting Cast at Drury Lane South, July 16-. Sets and lights by Vernon Schwartz, after the designs of Robert G. Smith and Peter Gottlieb -- Promotional material |
| Box 2 | Folder 39 | The Supporting Cast at Drury Lane South, July 16-. Sets and lights by Vernon Schwartz, after the designs of Robert G. Smith and Peter Gottlieb -- Programs |
| Box 2 | Folder 40 | The Supporting Cast at Drury Lane South, July 16-. Sets and lights by Vernon Schwartz, after the designs of Robert G. Smith and Peter Gottlieb -- Reviews and clippings |
| Box 2 | Folder 41 | Spoon River Anthology by Edgar Lee Masters, adapted by Charles Aidman, music by Charles Wilding-White. July-August 17, 1986. Directed by Ed Townley, sets by Rick and Jackie Penrod, costumes by Claudia Boddy, lights by Peter Gottlieb -- Contact sheet |
| Box 2 | Folder 42 | Spoon River Anthology by Edgar Lee Masters, adapted by Charles Aidman, music by Charles Wilding-White. July-August 17, 1986. Directed by Ed Townley, sets by Rick and Jackie Penrod, costumes by Claudia Boddy, lights by Peter Gottlieb – Program |
| Box 2 | Folder 43 | Spoon River Anthology by Edgar Lee Masters, adapted by Charles Aidman, music by Charles Wilding-White. July-August 17, 1986. Directed by Ed Townley, sets by Rick and Jackie Penrod, costumes by Claudia Boddy, lights by Peter Gottlieb -- Promotional material |
| Box 2 | Folder 44 | Spoon River Anthology by Edgar Lee Masters, adapted by Charles Aidman, music by Charles Wilding-White. July-August 17, 1986. Directed by Ed Townley, sets by Rick and Jackie Penrod, costumes by Claudia Boddy, lights by Peter Gottlieb -- Reviews and clippings |
| Photo Box 1 | Folder 33 | Spoon River Anthology (1 photograph) |
| o/s Box 1x | Spoon River Anthology, 1986 (poster) |
Productions, 1986-1987 Season
| Box 2 | Folder 45 | General season – Promotional material |
| Box 2 | Folder 46 | Auntie Mame by Robert E. Lee and Jerome Lawrence, October 24-November 30, 1987. Directed by Dan La Morte, costumes by Erin Quigley, sets by Karen Zissis, lights by Peter Gottlieb -- Contact sheet |
| Box 2 | Folder 47 | Auntie Mame by Robert E. Lee and Jerome Lawrence, October 24-November 30, 1987. Directed by Dan La Morte, costumes by Erin Quigley, sets by Karen Zissis, lights by Peter Gottlieb -- Programs |
| Box 2 | Folder 48 | Auntie Mame by Robert E. Lee and Jerome Lawrence, October 24-November 30, 1987. Directed by Dan La Morte, costumes by Erin Quigley, sets by Karen Zissis, lights by Peter Gottlieb -- Promotional material |
| Box 2 | Folder 49 | Auntie Mame by Robert E. Lee and Jerome Lawrence, October 24-November 30, 1987. Directed by Dan La Morte, costumes by Erin Quigley, sets by Karen Zissis, lights by Peter Gottlieb -- Reviews and clippings |
| Box 2 | Folder 50 | To Be Young Gifted and Black by Lorraine Hansberry, adapted by Robert Nemiroff. Directed by Chuck Smith, sets by Patrick Kerwin, lights by Barbara Reeder, costumes by Glen Billings -- Program |
| Box 2 | Folder 51 | To Be Young Gifted and Black by Lorraine Hansberry, adapted by Robert Nemiroff. Directed by Chuck Smith, sets by Patrick Kerwin, lights by Barbara Reeder, costumes by Glen Billings -- Promotional material |
| Box 2 | Folder 52 | To Be Young Gifted and Black by Lorraine Hansberry, adapted by Robert Nemiroff. Directed by Chuck Smith, sets by Patrick Kerwin, lights by Barbara Reeder, costumes by Glen Billings -- Reviews and clippings |
| Photo Box 1 | Folder 34 | To Be Young Gifted and Black (1 photograph) |
| Box 2 | Folder 53 | Pacific Overtures by Stephen Sondheim and John Weidman, March 4-April 12, 1988. Directed by Victoria Bussert, sets by Russ Borski, costumes by Erin Quigley, lights by Richard Bond, choreography by Judith Smith -- Contact sheet |
| Box 2 | Folder 54 | Pacific Overtures by Stephen Sondheim and John Weidman, March 4-April 12, 1988. Directed by Victoria Bussert, sets by Russ Borski, costumes by Erin Quigley, lights by Richard Bond, choreography by Judith Smith – Program |
| Box 2 | Folder 55 | Pacific Overtures by Stephen Sondheim and John Weidman, March 4-April 12, 1988. Directed by Victoria Bussert, sets by Russ Borski, costumes by Erin Quigley, lights by Richard Bond, choreography by Judith Smith -- Promotional material |
| Box 2 | Folder 56 | Pacific Overtures by Stephen Sondheim and John Weidman, March 4-April 12, 1988. Directed by Victoria Bussert, sets by Russ Borski, costumes by Erin Quigley, lights by Richard Bond, choreography by Judith Smith -- Reviews and clippings |
| o/s Box 1x | Pacific Overatures (2 photographs) | |
| Box 2 | Folder 57 | Young Playwrights Festival, June 1-14, 1987 -- General, Contact sheet |
| Box 2 | Folder 58 | Young Playwrights Festival, June 1-14, 1987 – General, Correspondence |
| Box 2 | Folder 59 | Young Playwrights Festival, June 1-14, 1987 -- General, Program |
| Box 2 | Folder 60 | Young Playwrights Festival, June 1-14, 1987 -- General, Promotional material |
| Box 2 | Folder 61 | Young Playwrights Festival, June 1-14, 1987 -- General, Reviews and clippings |
| Box 2 | Folder 62 | Young Playwrights Festival, June 1-14, 1987 -- Script: Just Coolin’ Out by Keturah Baht |
| Box 2 | Folder 63 | Young Playwrights Festival, June 1-14, 1987 -- Script: Changes by Cecily Schoen |
| Box 2 | Folder 64 | Young Playwrights Festival, June 1-14, 1987 -- Script: The Landromat by Angelo Jenkins |
| Box 2 | Folder 65 | Young Playwrights Festival, June 1-14, 1987 -- Script: Reality by Michelle McFarland |
| Box 3 | Folder 1 | Brighton Beach Memories by Neil Simon, August 5-16, 1987. Illinois Stage Company. Directed by James O’Reilly, sets by Linda Janasko, costumes by Pamela Rehberg, lights and sound by Christine Solger -- Program |
| Box 3 | Folder 2 | Brighton Beach Memories by Neil Simon, August 5-16, 1987. Illinois Stage Company. Directed by James O’Reilly, sets by Linda Janasko, costumes by Pamela Rehberg, lights and sound by Christine Solger -- Promotional material |
| Box 3 | Folder 3 | Brighton Beach Memories by Neil Simon, August 5-16, 1987. Illinois Stage Company. Directed by James O’Reilly, sets by Linda Janasko, costumes by Pamela Rehberg, lights and sound by Christine Solger -- Reviews and clippings |
Productions, 1987-1988 Season
| Box 3 | Folder 4 | General season – Promotional material |
| Box 3 | Folder 5 | Snow by John Logan, World Premiere. October 7-November 8, 1987. Directed by Terry McCabe, sets by Eve Cauley, lights by Peter Gottlieb, costumes by Jeffrey Kelly, sound design by Terry McCabe and John Logan -- Contact sheet |
| Box 3 | Folder 6 | Snow by John Logan, World Premiere. October 7-November 8, 1987. Directed by Terry McCabe, sets by Eve Cauley, lights by Peter Gottlieb, costumes by Jeffrey Kelly, sound design by Terry McCabe and John Logan – Program |
| Box 3 | Folder 7 | Snow by John Logan, World Premiere. October 7-November 8, 1987. Directed by Terry McCabe, sets by Eve Cauley, lights by Peter Gottlieb, costumes by Jeffrey Kelly, sound design by Terry McCabe and John Logan -- Promotional material |
| Box 3 | Folder 8 | Snow by John Logan, World Premiere. October 7-November 8, 1987. Directed by Terry McCabe, sets by Eve Cauley, lights by Peter Gottlieb, costumes by Jeffrey Kelly, sound design by Terry McCabe and John Logan -- Reviews and clippings |
| Photo Box 1 | Folder 35 | Snow (1 photograph) |
| Box 3 | Folder 9 | Ma Rainey’s Black Bottom by August Wilson, January 13-May. Directed by Jonathan Wilson, sets by David S.S. Davis, costumes by Jeffrey Kelly, lights by Diane Ferry Williams, with Pat ‘Soul’ Skaggs, Harry J. Lennix -- Contact sheet |
| Box 3 | Folder 10 | Ma Rainey’s Black Bottom by August Wilson, January 13-May. Directed by Jonathan Wilson, sets by David S.S. Davis, costumes by Jeffrey Kelly, lights by Diane Ferry Williams, with Pat ‘Soul’ Skaggs, Harry J. Lennix – Program |
| Box 3 | Folder 11 | Ma Rainey’s Black Bottom by August Wilson, January 13-May. Directed by Jonathan Wilson, sets by David S.S. Davis, costumes by Jeffrey Kelly, lights by Diane Ferry Williams, with Pat ‘Soul’ Skaggs, Harry J. Lennix -- Promotional material |
| Box 3 | Folder 12 | Ma Rainey’s Black Bottom by August Wilson, January 13-May. Directed by Jonathan Wilson, sets by David S.S. Davis, costumes by Jeffrey Kelly, lights by Diane Ferry Williams, with Pat ‘Soul’ Skaggs, Harry J. Lennix -- Reviews and clippings |
| Photo Box 1 | Folder 36 | Ma Rainey’s Black Bottom (1 photograph) |
| o/s Box 1x | Ma Rainey’s Black Bottom (poster) | |
| Box 3 | Folder 13 | The Frogs by Stephen Sondheim and Burt Shevelove, Chicago Premiere. March 11-May 29, 1988. Directed by Victoria Bussert, sets by Russ Borski, costumes by Anne Jaros, choreography by Janet Louer, lights by Mary Jo Dondlinger -- Contact sheet |
| Box 3 | Folder 14 | The Frogs by Stephen Sondheim and Burt Shevelove, Chicago Premiere. March 11-May 29, 1988. Directed by Victoria Bussert, sets by Russ Borski, costumes by Anne Jaros, choreography by Janet Louer, lights by Mary Jo Dondlinger – Correspondence |
| Box 3 | Folder 15 | The Frogs by Stephen Sondheim and Burt Shevelove, Chicago Premiere. March 11-May 29, 1988. Directed by Victoria Bussert, sets by Russ Borski, costumes by Anne Jaros, choreography by Janet Louer, lights by Mary Jo Dondlinger – Program |
| Box 3 | Folder 16 | The Frogs by Stephen Sondheim and Burt Shevelove, Chicago Premiere. March 11-May 29, 1988. Directed by Victoria Bussert, sets by Russ Borski, costumes by Anne Jaros, choreography by Janet Louer, lights by Mary Jo Dondlinger -- Promotional material |
| Box 3 | Folder 17 | The Frogs by Stephen Sondheim and Burt Shevelove, Chicago Premiere. March 11-May 29, 1988. Directed by Victoria Bussert, sets by Russ Borski, costumes by Anne Jaros, choreography by Janet Louer, lights by Mary Jo Dondlinger -- Reviews and clippings |
| Photo Box 1 | Folders 37-43 | The Frogs (7 photographs) |
| Box 3 | Folder 18 | Young Playwrights Festival, June 15-- General, Contact sheets |
| Box 3 | Folder 19 | Young Playwrights Festival, June 15 -- General, Promotional material |
| Box 3 | Folder 20 | Young Playwrights Festival, June 15 -- General, Program |
| Box 3 | Folder 21 | Young Playwrights Festival, June 15 -- General, Reviews and clippings |
| Box 3 | Folder 22 | Young Playwrights Festival, June 15 -- Script: The Times I Wish They Were A’ Changin’ by Ron Olson |
| Box 3 | Folder 23 | Young Playwrights Festival, June 15 -- Script: Rage Hard by Carrie Goodman |
| Box 3 | Folder 24 | Young Playwrights Festival, June 15 -- Script: I Got Hundred Dollar Gym Shoes by Marvin McAllister |
| Box 3 | Folder 25 | Young Playwrights Festival, June 15 -- Script: Look Through the Footprints on the Wall by Andy Bochantin and Eduardo Sciammarella |
| Photo Box 1 | Folders 44-26 | Young Playwrights Festival (3 photographs) |
| Box 3 | Folder 26 | Precious Sons written and directed by George Furth, July 13-August 14, 1988. Sets by Carl Forsberg, costumes by Jeffrey Kelly, lights by Peter Gottlieb -- Contact sheet |
| Box 3 | Folder 27 | Precious Sons written and directed by George Furth, July 13-August 14, 1988. Sets by Carl Forsberg, costumes by Jeffrey Kelly, lights by Peter Gottlieb -- Correspondence |
| Box 3 | Folder 28 | Precious Sons written and directed by George Furth, July 13-August 14, 1988. Sets by Carl Forsberg, costumes by Jeffrey Kelly, lights by Peter Gottlieb -- Program |
| Box 3 | Folder 29 | Precious Sons written and directed by George Furth, July 13-August 14, 1988. Sets by Carl Forsberg, costumes by Jeffrey Kelly, lights by Peter Gottlieb -- Promotional material |
| Box 3 | Folder 30 | Precious Sons written and directed by George Furth, July 13-August 14, 1988. Sets by Carl Forsberg, costumes by Jeffrey Kelly, lights by Peter Gottlieb -- Prompt book |
| Box 3 | Folder 31 | Precious Sons written and directed by George Furth, July 13-August 14, 1988. Sets by Carl Forsberg, costumes by Jeffrey Kelly, lights by Peter Gottlieb -- Reviews and clippings |
| Photo Box 1 | Folders 47-48 | Precious Sons (2 photographs) |
Productions, 1988-1989 Season
| Box 3 | Folder 32 | General season – Promotional material |
| Box 3 | Folder 33 | Noises Off by Michael Frayn, October 13- .Directed by Michael Leavitt, sets by Russ Borski, lights by Peter Gottlieb, costumes by Jeffrey Kelly and John Nasco – Correspondence. See also: PP-AV Noises Off |
| Box 3 | Folder 34 | Noises Off by Michael Frayn, October 13- .Directed by Michael Leavitt, sets by Russ Borski, lights by Peter Gottlieb, costumes by Jeffrey Kelly and John Nasco – Programs. See also: PP-AV Noises Off |
| Box 3 | Folder 35 | Noises Off by Michael Frayn, October 13- .Directed by Michael Leavitt, sets by Russ Borski, lights by Peter Gottlieb, costumes by Jeffrey Kelly and John Nasco -- Promotional material. See also: PP-AV Noises Off |
| Box 3 | Folder 36 | Noises Off by Michael Frayn, October 13- .Directed by Michael Leavitt, sets by Russ Borski, lights by Peter Gottlieb, costumes by Jeffrey Kelly and John Nasco -- Reviews and clippings. See also: PP-AV Noises Off |
| Box 3 | Folder 37 | The Great White Hope by Howard Sackler, January 13-February 12, 1989. Directed by Jonathan Wilson, sets by Katherine Ross, lights by Chris Phillips, costumes by Jeffrey Kelly and John Nasco -- Contact sheets |
| Box 3 | Folder 38 | The Great White Hope by Howard Sackler, January 13-February 12, 1989. Directed by Jonathan Wilson, sets by Katherine Ross, lights by Chris Phillips, costumes by Jeffrey Kelly and John Nasco -- Promotional material |
| Box 3 | Folder 39 | The Great White Hope by Howard Sackler, January 13-February 12, 1989. Directed by Jonathan Wilson, sets by Katherine Ross, lights by Chris Phillips, costumes by Jeffrey Kelly and John Nasco -- Reviews and clippings |
| Box 3 | Folder 40 | The Great White Hope by Howard Sackler, January 13-February 12, 1989. Directed by Jonathan Wilson, sets by Katherine Ross, lights by Chris Phillips, costumes by Jeffrey Kelly and John Nasco -- Set designs |
| Box 3 | Folder 41 | Anyone Can Whistle by Arthur Laurents and Stephen Sondheim March 12-April 16, 1989. Directed by Victoria Bussert, sets by Russ Borski, costumes by Jeffrey Kelly and John Nasca, lights by Peter Gottlieb, choreography by Janet Louer -- Contact sheets |
| Box 3 | Folder 42 | Anyone Can Whistle by Arthur Laurents and Stephen Sondheim March 12-April 16, 1989. Directed by Victoria Bussert, sets by Russ Borski, costumes by Jeffrey Kelly and John Nasca, lights by Peter Gottlieb, choreography by Janet Louer -- Reviews, clippings and programs |
| Box 3 | Folder 43 | Young Playwrights Festival, June 1989 -- Reviews and clippings |
| Box 3 | Folder 44 | The Boys Next Door by Tom Griffin, July-August 20, 1989. Directed by Dan La Morte -- Flyer |
| Box 3 | Folder 45 | The Boys Next Door by Tom Griffin, July-August 20, 1989. Directed by Dan La Morte -- Reviews and clippings |
Productions, 1989-1990 Season
| Box 4 | Folder 1 | General season – Promotional material |
| Box 4 | Folder 2 | The Kiss of the Spider Woman by Manuel Puig, September-November 19, 1989. Directed by Eric Simonsen, sets by Walter Martishius, costumes by Jeffrey Kelly, lights by Peter Gottlieb, music by Peter Aglinskas, with Harry J. Lennix -- Reviews and clippings |
| Box 4 | Folder 3 | History of American Film by Christopher Durang, January 24-March 11, 1990. Directed and designed by Roy Hine, choreography by Suzanne Avery, costumes by Jeffrey Kelly, lights by Todd Helmsley -- Program, promotional material and reviews |
| Box 4 | Folder 4 | Fraternity by Jeff Stetson, April 19-June 3, 1990. Directed by Jonathan Wilson -- Promotional material and reviews |
| Box 4 | Folder 5 | The Death of Carmen adapted and directed by Victoria Bussert, May 10- 1990. Sets and lights by Russ Borski, costumes by Jeffrey Kelly, choreography by Janet Louer, with White Eagle -- Promotional material and reviews |
| Box 4 | Folder 6 | Chicago Young Playwright’s Festival, July 11 -- Promotional material and reviews and clippings |
Productions, 1990-1991 Season
| Box 4 | Folder 7 | General season – Promotional material |
| Box 4 | Folder 8 | Into the Woods by Stephen Sondheim and James Lapine, August 15-September 9, 1990. Directed by Victoria Bussert, sets by Russ Borski, choreography by Janet Louer, costumes from the original Broadway production -- Promotional material and reviews |
| Box 4 | Folder 8a | Sylvia’s Real Good Advice by Nicole Hollander, Tom Mula and Arnie Aprill, March 27, 1991 -- Programs |
| Box 4 | Folder 8b | Sylvia’s Real Good Advice by Nicole Hollander, Tom Mula and Arnie Aprill, March 27, 1991 – Promotional material |
| Box 4 | Folder 8c | Sylvia’s Real Good Advice by Nicole Hollander, Tom Mula and Arnie Aprill, March 27, 1991 – Reviews and clippings |
| Box 4 | Folder 8d | Sylvia’s Real Good Advice by Nicole Hollander, Tom Mula and Arnie Aprill, March 27, 1991 – “Real Good Partners” funders |
| Photo Box 1 | Folder 49-50 | Sylvia’s Real Good Advice (2 photographs) |
| Box 4 | Folder 9 | Broadway Bound by Neil Simon, October 3- 1990. Directed by Michael Leavitt, sets by Laura Kinter, costumes by Jeffrey Kelly -- Promotional material and reviews |
| Box 4 | Folder 10 | Young Playwrights Festival, June 20-July 7, 1991 – Promotional material |
| Box 4 | Folder 11 | Young Playwrights Festival, June 20-July 7, 1991 – Reviews and clippings |
Productions, 1991-1992 Season
| Box 4 | Folder 12 | General season – Promotional material |
| Box 4 | Folder 13 | Barnum by Cy Coleman, August 8 – Program |
| Box 4 | Folder 14 | Barnum by Cy Coleman, August 8 – Promotional material |
| Box 4 | Folder 15 | Barnum by Cy Coleman, August 8 – Reviews and clippings |
| Photo Box 1 | Folder 60-61 | Barnum (2 photographs) |
| Box 4 | Folder 16 | Jump for Joy, September 25-November 24, 1991 – Promotional material |
| Box 4 | Folder 17 | Jump for Joy, September 25-November 24, 1991 – Programs |
| Box 4 | Folder 18 | Jump for Joy, September 25-November 24, 1991 – Reviews and clippings |
| Photo Box 1 | Folder 51-56 | Jump for Joy (6 photographs) |
| Box 4 | Folder 19 | The Sum of Us by David Stephens – Program, reviews and clippings |
| Box 4 | Folder 20 | Young Playwrights Festival, May 31, 1992 – Reviews and clippings |
| Photo Box 1 | Folder 57-59 | Young Playwrights Festival (3 photographs) |
| Box 4 | Folder 21 | The Crucible by Arthur Miller, Marshall Productions, June 1992 – Reviews and clippings |
| Box 4 | Folder 22 | Buddy…The Buddy Holly Story – Program, reviews and clippings |
Productions, 1992-1993 Season
| Box 4 | Folder 23 | General season – Flyer |
| Box 4 | Folder 24 | You’re Gonna Love Tomorrow, October 28, 1992 – Programs, reviews and clippings |
| Box 4 | Folder 25 | Best of the Young Playwrights Festival, February 1993 – Reviews and clippings |
| Box 4 | Folder 26 | Distant Fires by Kevin Heelan, May 1993 – Reviews and clippings |
| Box 4 | Folder 27 | Once on This Island, August 1993 – Reviews and clippings |
Productions, 1993-1994 Season
| Box 4 | Folder 28 | Assassins by Stephen Sondheim and John Weidman, October 27-December 12, 1993 – Reviews and clippings |
| Box 4 | Folder 29 | Young Playwrights Festival, January 4-23, 1994 – Promotional material |
| Box 4 | Folder 30 | Freud, Dora and the Wolfman, March-April, 1994 – Reviews and clippings |
| Box 4 | Folder 30a | 1994 Summer Subscription Series – Promotional material |
Productions, 1994-1995 Season
| Box 4 | Folder 31 | The Secret Garden, August 1994 – Reviews and clippings |
| Box 4 | Folder 32 | Strike Up the Band, August-October 16, 1994 – Reviews and clippings |
| Box 4 | Folder 33 | Beggar’s Holiday, October-November, 1994 – Reviews and clippings |
| Box 4 | Folder 34 | Young Playwrights Festival, 1995 – Reviews and clippings |
| Box 4 | Folder 35 | Lettice and Lovage by Peter Shaffer – Program, press release |
| Box 4 | Folder 36 | The Golden Apple, August 1995 – Reviews and clippings |
| Box 4 | Folder 37 | La Bete by David Hirson, September 20-October 29, 1995 – Reviews and clippings |
Productions, 1995-1996 Season
| Box 4 | Folder 38 | Fixin’ to Die: A Visit to the Mind of Lee Atwater by Robert Myers, February-March, 1996 – Reviews and clippings |
| Box 4 | Folder 39 | Passion by James Lapine and Stephen Sondheim, June 12-July 14, 1996 – Press release, promotional material |
Productions, 1996-1997 Season
| Box 4 | Folder 39a | General season – Promotional material |
| Box 4 | Folder 40 | The Kentucky Cycle by Robert Schenkkan, September 26-November 4, 1996 – Reviews and clippings |
| Box 4 | Folder 41 | Young Playwrights Festival, January 1997 – Reviews and clippings |
| Box 4 | Folder 42 | One Touch of Venus by Kurt Weill, S. J. Perelman and Ogden Nash, August 16-24, 1997 – Press release |
Productions, 1997-1998 Season
| Box 4 | Folder 43 | Young Playwrights Festival (12th) – Promotional material |
| Box 4 | Folder 44 | Jellyeye Drum Theatre, December 4, 1997 – Promotional material |
Production, 1997-2000 Season
| Box 4 | Folder 45 | The State of Mississippi vs. Emmett Till by Mamie Till Mobley and David Barr, September 1999 – Reviews and clippings |
Photographs, General
| Photo Box 1 | Folder 1-4 | Outreach, undated and 1979 (4 photographs) |
| Photo Box 1 | Folder 5 | Theater interior, Edgewater Presbyterian Church, 1020 W. Bryn Mawr, circa 1970-1983 (1 photograph) |
Photographs, 1979-1980 Season
| Photo Box 1 | Folder 6-8 | Three and Me (3 photographs) |
| Photo Box 1 | Folder 9 | Crash Landing (1 photograph) |
| Photo Box 1 | Folder 10 | The Royal Gambit (1 photograph) |
Photographs, 1980-1981 Season
| Photo Box 1 | Folder 11 | Rain (1 photograph) |
| Photo Box 1 | Folder 12 | Sherlock Holmes (1 photograph) |
Photographs, 1981-1982 Season
| Photo Box 1 | Folder 13 | Tartuffe (1 photograph) |
| Photo Box 1 | Folder 14-16 | The Millionairess (3 photographs) |
| Photo Box 1 | Folder 17 | Long Day’s Journey Into Night (1 photograph) |
| Photo Box 1 | Folder 18 | Hay Fever (1 photograph) |
| Photo Box 1 | Folder 19 | A Midsummer Night’s Dream (1 photograph) |
Photographs, 1982-1983 Season
| Photo Box 1 | Folder 20 | The Learned Ladies (1 photograph) |
| Photo Box 1 | Folder 21-25 | Zalmen or the Madness of God (5 photographs) |
Photographs, 1983-1984 Season
| Photo Box 1 | Folder 26-27 | Night of the Iguana (2 photographs) |
| Photo Box 1 | Folder 28 | The Shadow Box (1 photograph) |
Photographs, 1984-1985 Season
| Photo Box 1 | Folder 29 | Bus Stop (1 photograph) |
| Photo Box 1 | Folder 30 | Angel Street (1 photograph) |
Photographs, 1985-1986 Season
| Photo Box 1 | Folder 31 | She Loves Me (1 photograph) |
| Photo Box 1 | Folder 32 | For Colored Girls Who Have Considered Suicide… (1 photograph) |
| Photo Box 1 | Folder 33 | Spoon River Anthology (1 photograph) |
Photographs, 1986-1987 Season
| Photo Box 1 | Folder 34 | To Be Young Gifted and Black (1 photograph) |
Photographs, 1987-1988 Season
| Photo Box 1 | Folder 35 | Snow (1 photograph) |
| Photo Box 1 | Folder 36 | Ma Rainey’s Black Bottom (1 photograph) |
| Photo Box 1 | Folder 37-43 | The Frogs (7 photographs) |
| Photo Box 1 | Folder 44-46 | Young Playwrights Festival (3 photographs) |
| Photo Box 1 | Folder 47-48 | Precious Sons (2 photographs) |
Photographs, 1990-1991 Season
| Photo Box 1 | Folder 49-50 | Sylvia’s Real Good Advice (2 photographs) |
Photographs, 1991-1992 Season
| Photo Box 1 | Folder 51-56 | Jump for Joy (6 photographs) |
| Photo Box 1 | Folder 57-59 | Young Playwrights Festival (3 photographs) |
| Photo Box 1 | Folder 60-61 | Barnum (2 photographs) |
Oversize Material
| o/s Box 1x | What’s Up, undated (poster) |
| o/s Box 1x | Spoon River Anthology, 1986 (poster) |
| o/s Box 1x | Ma Rainey’s Black Bottom, undated (poster) |
| o/s Box 1x | Pacific Overtures, 1988 (2 photographs) |
